It’s almost time to bid adieu to Paris Fashion Week. Before we start on the trends we saw on the runway and narrow down our favorite designers, we have one last runway show to share. Join us on March 9 at 10am (5pm, Singapore) for the Louis Vuitton Fall/Winter 2016 Live Stream here on Luxuo.
Unlike the parade of off-whites and reds, this year’s Academy Awards Red Carpet proved to be a revolving door of varying styles, silhouettes and colors. As with previous years, the outfits were not complete without some of the finest jewelry and the stars did not disappoint. It was truly difficult to select just a few of our favorites but we did it. Luxuo brings you eight of our favorite accessories from the 2016 Oscars Red Carpet.
Saoirse Ronan with Chopard
Hoping to bring the luck of the Irish with her, the young actress walked the red carpet in a green Calvin Klein gown. It was a case of less is more as she paired her outfit with mismatched earrings by the jeweler Chopard. Taken from the Maison’s High Jewelry Collection, the Best Actress nominee was a hot topic of discussion with her red carpet choice. Her earrings featured pearls, 18.28 carats of emeralds, 5.74 carats of jadeites and 3.25 carats of diamonds in white gold. She also chose an emerald and diamond ring in white gold to complete her look.
Brie Larson with Niwaka
The newly minted Oscar winner went with Gucci for her big night. She chose a half-updo that was held in place by a beautiful diamond brooch, worn as a barrette, that lent a fairy-tale like feel to her flowing periwinkle gown. She kept it fairly simple with elegant Niwaka diamond and pearl earrings while a pearl encrusted belt has helped seal her status as the breakout style star this award season, coming close to Jennifer Lawrence and Lupita Nyango.
Charlize Theron with Harry Winston
One of our favorites on the list is Charlize Theron, who starred in Mad Max: Fury Road. While the movie swept up numerous awards that night, Theron stunned on the red-carpet in a red number from Dior. It’s not a color that she has worn on the carpet and it certainly is refreshing. What caught our attention though were her accessories. No better way to complement the deep neckline than with Harry Winston diamonds. Worth nearly $3.7 million, she selected a 48.8 carat Secret Cluster diamond necklace, 15.49-carat Winston Diamond Cluster earrings. She completed it with an 8.78-carat cushion-cut diamond ring with micropave setting and a 7.44 carat Queen diamond ring, all of which were set in platinum.
Jennifer Garner with Neil Lane
This may just be the new “revenge dress” that was previously made famous by Princess Diana. The black asymmetrical custom-made Atelier Versace number, was the perfect balance of sultry and sweet and made the newly single-star one of the favorites for every best-dressed list. Rather than going with plain diamonds, the actress selected one that featured 10 carats worth of diamonds and a hint of color. Her wrists sparkled with four bracelets weighing in at 150 carats. The diamond and platinum bracelets amount to a whooping $2.5 million dollars. To bring it all together, she also wore an emerald-cut diamond ring worth $250,000.
Naomi Watts with Bulgari
Talk about classic Hollywood glamour. The Australian beauty arrived in a custom-made Armani Privé number that left many guessing its exact color. The metallic sequins changed from a deep blue to a bright purple under the spotlight as she made her way down the carpet. There to support her husband Leiv Schriber for his nomination, she selected an elaborate statement necklace from Bulgari to complete her glamorous ensemble.
Cate Blanchett with Tiffany & Co.
We expected her to show up with something from the Tiffany Blue Book collection and she did. What shocked many however was the dress itself by Armani Privé. On anyone else this pastel blue with feather flowers would have looked all wrong but on the Oscar winner, it looked elegant and appropriate. She paired her gown with platinum drop earrings set with marquise and round cut diamonds. For some arm-candy, she chose a starfish cuff with round diamonds and a ring with a 2.3 carat round diamond and round diamond border, all in platinum.
Tina Fey with Bulgari
Not bad Liz Lemon, not bad at all. Not a shade you see the actress in very often, and also not one that would flatter many. Yet the former Oscar host made a statement in a custom Atelier Versace gown. One critic compared her look for the night to Liz Taylor and we agree. Her strapless silhouette was accompanied by a diamond and sapphire necklace from Bulgari’s High Jewelry collection. It is purely coincidental that Taylor is strongly associated with Bulgari.
Alicia Vikander with Louis Vuitton
The Swedish actress has showcased some interesting looks on the red carpets this season. Many expected her to arrive in a edgy metallic number from Louis Vuitton, like what we saw at the Baftas and Golden Globes. Instead Vikander channelled Belle from Beauty and the Beast — her Prince Charming a.k.a Michael Fassbender was not far on the carpet. She accessorised it with Louis Vuitton chandelier earrings that featured the brand’s floral emblem. A fairy-tale ending for a whirlwind year that has seen the actress go from relative unknown to Oscar winner.
Nothing says style and luxury quite like Porsche in the world of automobiles. As part of its Driving Dreams campaign, I travelled to Langkawi Island to come up-close and personal with Porsche’s latest crop, a stunning range that runs the gamut from the bachelor-approved 911 Carrera GTS Cabriolet to the newest incarnation of the ever-popular Cayenne S. The location was the dreamy Four Seasons Resort, just right by the picturesque and seemingly boundless Andaman Sea, the perfect location considering the occasion at hand. After all, it is entirely acceptable, and common, I’d think, for speed enthusiasts to dream about cruising in a Porsche.
To get behind the mechanics of the latest range, one had to get behind the wheel. I was presented with an incredible collection of cars: 911 Turbo, 911 Carrera GTS, 911 Carrera GTS Cabriolet, 911 Targa 4, Boxster GTS, Cayman GTS, Cayenne S E-Hybrid, Cayenne S, Cayenne Diesel, Panamera S E-Hybrid, Panamera 4, Macan Turbo and Macan S. If you’re car-obsessed, seeing these beauties lined up in a row, one after another, is like waking up on Christmas morning. How can a girl choose? When it comes to Porsche, however, beauty isn’t just skin-deep.
“Intelligent performance has been the driving force for Porsche to develop our cars with focus in addressing mobility and connectivity topics. Evidently, Porsche is working on this with the first battery-powered four seat concept car, the Mission E with over 600 hp, over 500 kilometre driving range and around 15 minutes’ charging time to reach an 80 per cent charge of electrical energy,” explained Martin Limpert, the managing director of Porsche Asia Pacific. “With pioneering technologies that combine performance and efficiency, Porsche continues to build the sportiest cars in the segment and strengthening the position as the world’s most successful manufacturer of exclusive sports cars.”
After taking in the splendour of all 14 of the cars before me, it was time to put them to the test. The order of business was to take them across Langkawi Island, a nearly 200-kilometre journey through the villages and past iconic landmarks, from the lighthouse at Pantai Cenang to the breathtaking Gunung Raya, the island’s tallest mountain.
My first model was the Panamera S E-Hybrid. Aside from clean and ultra sleek leather-covered interiors, which is expected, since this is Porsche we’re talking about, the first thing you’d notice is how audibly absent the engine is. You sort of have to check that it’s on and even then you’re unconvinced. That’s the fossil-free battery talking – or rather, not talking – the Panamera S E-Hybrid’s crowning glory that’s not only remarkably quiet, but also lasts up to about 35 kilometres on the road entirely on its own with a maximum speed of 135km/h, all while emitting just 71 grams of CO2 per kilometre. Needing only 2.3 hours to be fully charged, the beauty of the S E-Hybrid is its ability to draw power from conventional sockets.
It takes a longer time, for sure, but it means you get to power up even when you’re away from your garage. Charging when you’re actually on the road works too, owing to the brake energy recovery system and the combustion engine, which is hardly shabby itself, by the way, enabling a maximum speed of 270km/h. When you combine the two, the Panamera goes from 0 to 100km/h in just a little over 5 seconds. The adaptive air suspension made for a soothing ride too, even when it came to the winding roads near the hillier regions of Langkawi Island. The Panamera S E-Hybrid may be the more practical and spacious one of Porsche’s newest offerings, but it still packs power when the time comes for it.
The test-drive with the Panamera S E-Hybrid came to a halt at the Datai Golf Club, one of tumbling pastures with borrowed drama from the rain that had just passed and the lush forests on its periphery, a very fitting scenario for my next model – the Cayenne S. For someone who grew up in SUVs, this one was right up my alley.
The Cayenne has remained one of Porsche’s popular kids since its introduction in 2002, and it’s easy to see why. It’s huge on the inside, even more so than the Panamera, but it still behaves like a Porsche. The refreshed version is much sleeker and stylish too, kudos to Porsche, rendering a certain lightness to the stocky car. Like the Panamera, sans the electric motor, the Cayenne S runs on a V6, accelerates to 100km/h in 5.5 seconds and goes up all the way to 259km/h. For its build, it’s an impressive score. You see, speed really isn’t a problem for Porsche, even for the bigger vehicles. The Cayenne S is one of the lucky ones endowed with a Sport Plus button, a feature to remind you that you’re in a sports car. The engine becomes more responsive, the steering more direct, the damping harder. The effect and thrill are immediate. There’s even a performance display on the dashboard to track lap times. What’s perhaps most satisfying about the Cayenne S, to me at least, was how it handled curves, bends and even hills with swiftness and ease, again, rather unexpected for its size.
Alas, my journey across Langkawi Island came to its inevitable end, though not without a little surprise. I was presented with a quiz that would determine my “dream car” from Porsche. My result? The 911 Turbo in Jet Black Metallic, one sick ride that I think even Bruce Wayne would ditch his Batmobile for on an off day. It’s all beautiful curves with a maximum speed of a whooping 315km/h, the fastest of the lot. This was a surprise, considering my affinity with SUVs. (Okay fine, so I tweaked my responses just a bit so that I’ll get something super sleek. But hey, this is about picking my dream car, isn’t it?)
This story first appeared in the December/January 2015 edition of L’Officiel.
Text by Candice Chua
Images by Richard Chen
Styling by Wei Lun Tok
As part of a transformation, luxury icon Louis Vuitton has given its Ion Orchard boutique a new look. You will find it in the same location within the luxury mall but there are a few key changes to the store. The first is a new concept that reflects the clientele who often find themselves drawn to the brand. Using wood instead of marble, like the stores found around the island, the vibe is a balance of masculinity and elegance.
The other addition to the concept is the new entrance on the first level. Step through the brand new doors and you will be transported into the unique world of Louis Vuitton. The natural wood and leather materials used complement the neutral tones in both the main showroom and the newly created men’s corner of the store. The iconic leather straps are incorporated into store where they hang from the ceiling and support the wooden wall units. These wall units, inspired by the historic Louis Vuitton trunks play host to the good, shoes and ready-to-wear collections.
The element of history doesn’t end there. Deep from the archives of Louis Vuitton, travel-inspired images sit proudly on a special display unit. Leading up to the dedicated travel and luggage area is a personalized column of over 400 colored leather luggage tags. The pop of color on the ground floor is a welcome addition to the color palate surrounding it.
Celebrating the month of love, L’OFFICIEL Malaysia debuts its first-ever Sex Issue, where it embraces all things sexy in fashion, beauty and lifestyle. From the daring Spring/Summer 2016 runway looks to sultry makeup trends, the issue provides you the know-how to feel a little wild and sensual.
L’OFFICIEL Malaysia Managing Editor, Monica Mong says, ““Our virgin Sex Issue is all about owning your sexuality and who better to bring it on than Models.com’s Top 50 supermodel Jing Wen, an irresistible young lady from Guangzhou who personifies intelligence, innocence, playfulness, beauty, and dare we say, sexy, all at the same time.”
As we present you with the new selection of romantic jewellery and timepieces, luscious carte du jour and a list of fun destinations to “amp-up” your love life, we also delve into the prospect of loving your individual self, taking inspiration from this month’s cover star – Chinese supermodel Jing Wen, which was shot by photographer Stefan Khoo and styled by Monica Mong.
Loved by the camera and fierce on the runway, she is a current favourite of luxury fashion houses like Louis Vuitton, Chanel, Lanvin, Gucci, and DKNY.
On her many works with Nicolas Ghesquière and Louis Vuitton, she says, “Nicolas is incredible. I like his way of combining the elements of past and present perfectly. He is such a talented and charming designer!”
For a look into her exclusive photoshoot and interview with L’Officiel Malaysia, head on to www.lofficielmalaysia.com.
(Source and Photos: L’Officiel Malaysia)
With gorgeous looks and a buff physique often revealed via Instagram posts of his gym and basketball sessions (he used to represent Hong Kong as a strapping 1.82m player) and shirtless magazines covers, Pakho Chau is afflicted by the same malady that has plagued many of his predecessors: pretty boy syndrome. Our friends at Men’s Folio had a chat with Chau late last year and tried to get beneath the surface while also producing a lovely spread featuring the Cantopop star.
Often labeled with a disclaimer for a perceived character flaw, these good-lookers ironically have an easy start as pop idols but it doesn’t require a lot of range. There are reasons why pretty boys are having it tough when it comes to longevity and credibility. It goes to show that looking like an Adonis cramps your style.
Cases in point: Many hated Aaron Kwok and his floppy hair in the 1990s before his Golden Horse Award wins; Wang Leehom was similarly the subject of vehement verbal abuse in the new millennium despite being able to play different musical instruments; and detractors who remembered Takeshi Kaneshiro as a Taiwan-based pop idol despised him in both decades. It was with great effort that Miuccia Prada and Giorgio Armani (and maybe Biotherm) convinced them otherwise about the latter.
To drive home the point on the international front, I recall lesser male specimens cursing as Brad Pitt sleepwalked through Meet Joe Black and exhibiting the middle finger each time Tom Cruise grinned like a proboscis monkey onscreen. Have you ever watched a Tom Cruise film after Risky Business and Top Gun and be so aware that it’s Mr Cruise on screen in every subsequent film. The man does not inhabit a role. The role has to audition with back-flips and quadruple summersaults. Boy-band bashing is likewise extensive on both sides of the pond. And don’t get haters started on Justin Bieber. That would just be uncivilized.
As a counterpoint, female colleagues pointed out that raging heterosexuals did not display a similar disdain when the members of Girls’ Generation sashayed meaninglessly throughout the recent music video of “Party”. Point taken, but hardly a paradigm shift.
The gripe being that many of these handsome male homo sapiens commonly lack that the necessary talent in correlation to their physical attributes, with weedy wannabes that are a dime-a-dozen falling by the wayside. This clearly isn’t the fate that awaits Chau. “I believe that true success requires sacrifice,” he says. “It’s not safe to rest on your laurels because only the hard workers earn the respect they deserve that makes them living legends in their own right.”
Throw Show Luo, the brooding vocals of Eason Chan, and a sprinkling of Hong Kong singer and actor Daniel Chan in a mixer and you’d probably get Pakho Chau. While the 30-year-old is blessed with good looks, he literally got his start at the bottom at film composer Chan Kwong-Wing’s recording studio as a junior engineer. “I had modelling gigs on the side,” recalls the Hong Kong native. “But my time learning music production had the most impact on my career as I learned the tricks of the trade. I learned not just the technical process, but also that success requires time, persistence, and patience to nurture.”
Just as well, with peepers that resemble Bambi’s, his cheekbones are also dangerously defined, and his wry smile can turn sane females (and the occasional male) into shrieking banshees at the drop of a snapback cap. Chau first caught the attention of Chan, whose claim to fame includes scoring Hong Kong blockbusters The Storm Riders, Infernal Affairs and Bodyguards and Assassins, putting him in good stead. A recording contract with Warner Music in 2007 soon followed.
It helped that he can carry a tune (without the help of Auto-Tune), play the guitar, and write his own songs. His musical inclinations date back to the age of five, when he was already playing the piano. “My dad was an audiophile and used to buy CDs very frequently,” he says. “As a result, I was exposed to Cantopop at a very young age. My mom also fervently encouraged me to attend piano lessons, and that’s how I became infatuated with music.”
Thankfully, there were no heart-thumping dance tracks or an artificial transfusion of street cred courtesy of faux hip-hop posturing in Chau’s music. Instead, we’re treated to forlorn ballads that are lyrically poignant and, every so often, heart wrenching. “There’s always a real-life incident that inspires a song,” he mentions candidly. “However, not one aspect of life completes me. There are notches in our short time here on Earth that is represented lyrically and in the melodies of my composition.”
This is not intentionally skewed as his latest single “We’ll Be Fine” tells a melancholic tale of loneliness and the desire for emotional fulfillment. The accompanying music video shows Chau driving and walking aimlessly with the ambiguous ending suggesting the death of his beloved. The nimble strumming of guitars in the background showcases his sturdy vocals. “I’m sure everyone affiliates to the emotions that resonate from my songs in some ways,” he says. “And that’s what makes each one of us unique.”
The solo artist is well aware of the steep learning curve, and after seven studio albums, he’s delivered a more polished and sophisticated sound. There is truth in that, in a sea of homogeneous Asian celebrities, he has made efforts to differentiate himself by being true to himself without a regurgitation of a manufactured pop template. The reception from fans so far has been wonderful, even as Chau gives props to those that paved the way for him and his peers.
“Jackie Cheung, Aaron Kwok, Faye Wong, Eason Chan, Joey Yung, Miriam Yeung…” he rattles off a list of Cantopop superstars and crooners that he notes as having been instrumental in shaping his outlook to making music that’s accessible and honest. “They each have facets that I emulate and incorporate into my repertoire. I’m also heavily influenced by [Irish singer-songwriter] Damien Rice’s song writing expertise and his effortless way with the acoustic guitar that’s second to none.”
So sure, he has his singing career. But we’re back to the original Zoolander-inspired conundrum. Is there more to life than being really, really, ridiculously good looking? The film roles are steadily pouring in with him joining the fray of romantic comedies S for Sex, S for Secret, 12 Golden Ducks, and Love Detective last year alone. “My schedule these days is crazy, so to have opportunities to dabble in film is a godsend,” he says, to which he was quick to point out that “music is still my focus. I don’t ever want to stop making music. Hopefully, fans of my music will like the films I appear in as well.”
It would also seem natural that Chau would be an ambassador of youthful lifestyle giants Watsons, Adidas, Levi Strauss & Co. and Clinique Men’s Skincare, extolling the virtues of grooming elixirs and treatments for men, just like any auntie-killer would. Yet, as an indication of maturity, Montblanc has designated him as the Asian influencer for its luxury timepieces. “I didn’t like watches when I was younger,” he admits. “However, I’m gradually realizing the importance of time and how the amount of it that we’re allocated is finite. I’m a budding collector and Montblanc’s rich heritage is one that has constantly caught my eye over the years.”
Far from fearing the repercussions of overexposure, he is receptive that the additional visibility will only broaden the appeal of his music. And why shouldn’t his mug have its day in the sun? Everything is about making a good first impression these days. Chau gravitated with his best face forward on a grand stage. “I remember my concert at the Hong Kong Coliseum (in 2014) as being the biggest scale performance of my career,” he lets on. “I was extremely nervous and completely in awe when glancing at the sea of faces in the crowd. In my mind, each member of the audience came because of me. That was a very touching moment.”
By Jason Kwong
Photography Matt Hui / Sugarsugar Production
Styling Tok Wei Lun
Styling assistant Chua Chin Chin / Arm Collective
Makeup Kris Wong
Hair Cliff Chan / Hair Corner
This playful spread from our friends at L’Officiel Singapore caught our eye and we had to bring it to a wider audience. Having all these cool toys in the office (the actual toys, not the shoes) was as inspiring as these heels are high or quirky. Well, height alone maketh not any of these shoes. Instead, shape and structure play vital roles in defining the appeal here. Now, bask in the glory of footwear that should totally feature in a Lego movie!
Details extended from the shoe’s front all the way to the back, the heel commands attention in exotic python (above) and a pop of color (below).
Taking a step back from the conventional pointed heel, designers stretch their imagination in geometrics.
A balancing act given the unusual shapes, these shoes are made for the bold who are not afraid of heights.
Art Direction by Stephanie Lim
Photography by Ching
Styling by Kames Narayanan
Hollywood’s top stars were armored in glamour January 10 as they dazzled the Golden Globes red carpet with lots of attitude. Guess who rocked the necklace shown above? Anyway, we saw plenty to admire in terms of strapless wonders (Emmy Rossum in Armani with a Van Cleef & Arpels necklace, who has already won the Internet), amazing jewelry (Jennifer Lawrence, Jennifer Lopez and Julianne Moore are in a three-way tie for the win), unbeatable accessories that cannot be bought (mostly abs courtesy of Brie Larson and Kate Hudson, and Moore’s escort, Tom Ford) and properly impressive gowns (Lady Gaga, Jenna Dewan Tatum and Rooney Mara).
Here are our selections, with images via the AFP and Chopard (we are still waiting for a suitable image of Rossum), of the best-in-show for 2016. We shall see if any of these looks will make into the “Best-Of” lists for 2016…
Kate Bosworth shone at this 73rd ceremony in a pink-and-silver sequinned number from Dolce & Gabbana.
Emilia Clarke – The Game of Thrones actress channeled her fictional alter-ego with this vampy black floor-length gown and sheer-cape combo from Valentino.
Lady Gaga – The American singer channeled retro chic on the red carpet at this year’s Golden Globes, with a long gown by Atelier Versace falling perfectly across her shoulders.
Kate Hudson – Here is where a fitness regime really pays off. Hudson showed off her washboard abs in a glitzy nude ensemble by Michael Kors Collection. Aside from her abs, which is really what this look is about, the choker brings the whole thing together and is also from Michael Kors.
Jennifer Lawrence – The scintillating Chopard necklace amplifies the J-Law’s Joy. At this year’s ceremony, she shone in a magnificent, red Christian Dior Couture gown with perfectly placed cutaways.
Jennifer Lopez – The diva Latina wowed the red carpet in a flowing canary-yellow gown by Giambattista Valli Haute Couture. Apparently, that lovely necklace is by none other than Harry Winston. Oh yes and we love how the guy in the background seems so concerned about J-Lo’s train…
Rooney Mara – The American actress took to the red carpet in a beaded, floor-length number from Alexander McQueen, in a nude hue almost matching her skin tone.
Julianne Moore – With nothing to envy of her up-and-coming counterparts, Moore sparkled on the red carpet in this midnight-blue sequin-covered number by Tom Ford, with jewelry by Chopard. She was also accompanied by Ford himself, which gives her possibly the best arm candy at the show.
Jada Pinkett Smith – With subtly revealed shoulders and a thigh-high split showing matching heels, Will Smith’s other half looked stunning in an emerald-green number by Atelier Versace.
Jenna Dewan Tatum – Channing Tatum’s actress wife stunned the crowds at the 73rd Golden Globes in a Zuhair Murad Couture midnight-blue ball gown with delicate silver detail.
Alicia Vikander – The Swedish actress looked ethereal in this delicate white dress from Louis Vuitton, proving that ruffles can be worn properly after all.
Kate Winslet – The British actress, winner of “Best Supporting Actress” for her role in Steve Jobs, kept things simple but stylish in a long Ralph Lauren Collection gown with a subtle split.
It took us awhile to get to this news but here it is, along with a few words from the press release pushed out by Louis Vuitton. Since her role in Blue is the Warmest Color, Seydoux’s star has been rising steadily and this move gets her off to a rocketing start to 2016. The brand has not been shy about trumpeting her virtues. Check out this quote from the official release:
“Mixing styles and catering to her every whim, Léa Seydoux perfectly incarnates the Louis Vuitton woman. A multi-faceted woman, independent and modern.”
Watch for her first official appearance for the Parisian master of leather goods and icon of fashion on January 12. Seydoux will be walking arm-in-arm with Louis Vuitton Artistic Director Nicolas Ghesquière. The brand promises that she will be wearing a custom-made creation for the night.
Seydoux has previously starred in advertising campaigns for Prada, Miu Miu and Rag and Bone.
Sadly, we also take this moment to bid farewell to the Blackstar who once shone for Louis Vuitton, as seen from the campaign visual below from 2013. The Luxuo team will miss you David Bowie. – “He took it all too far but boy could he play guitar.”
Geeks and nerds are the fashion industry’s largest untapped market…and it is a growth market at that. Well the Internet is abuzz with news that no less an august fashion house than Louis Vuitton is rolling out it latest Spring/Summer 2016 campaign with a little help from Lightning, a character from the immensely successful “Final Fantasy” video game franchise.
The AFP reports that Louis Vuitton creative director Nicolas Ghesquière has cast this character as the lead in the campaign. Of course this does not mean Louis Vuitton will be suddenly find its way into gaming conventions or that the brand will be opening a flagship store at the Googleplex but we think it is a harbinger of things to come.
Ghesquière revealed the first images from the campaign in two posts on Instagram, Monday December 28, showing the RPG character Lightning modeling looks direct from the SS 2016 runway show, which had strong references to digital technology and gaming.
See the short video of Lightning’s Vuitton debut below:
Anyone who has paid even passing attention to art auctions in the last 10 years cannot have escaped the power of contemporary Chinese art. It is surprising to us then to hear that the upcoming exhibition at the Fondation Louis Vuitton in January is the first time an entire exhibition has been devoted to contemporary Chinese artists in France in 10 years. The exhibition, running though the spring, brings together 12 Chinese artists and their work.
Entitled “Bentu,” it references the concept of motherland or native land, which is what the term refers to specifically. Make no mistake though, this is not about national boundaries. Instead, it represents a dialogue between local and global and a process of self-discovery.
Works on display will examine a changing Chinese society with artists from different generations employing a wide range of techniques and materials. Alongside the installations, there will be classical and contemporary musical performances, as well as films and poetry.
Among the veteran artists on display is Liu Xiaodong, who has experimented with both acting and painting. Also exhibiting is artist Cao Fei, who has directed and produced experimental documentaries. Liu Shiyuan, of a younger generation, will be also showing her work.
The exhibition examines local cultures, tradition, new technologies as well as the interaction between urban and rural. The focal point being identity.
The “Bentu” exhibition is not meant to give an overview of contemporary Chinese art. Rather, organizers want to present the multifaceted aspect of it and how its forms are constantly evolving.
The exposition will begin on January 27, 2016 and run until April. Music, poetry and films will continue until September 5. The Foundation Louis Vuitton will also highlight a selection of its permanent collection of Chinese art from January 27 until September 5.
The world’s major fashion houses do like to put on a good show, as seen every year at Chanel for example (including one right we attended in Singapore). Next year, Chanel is going Cruising in Havana, Cuba (we wonder what Fidel thinks of that) while Louis Vuitton will be showing the Cruise collection in Rio de Janeiro. Women’s Wear Daily reports that the Nicolas Ghesquière-helmed brand has selected the city of Christ the Redeemer for the 2017 Resort collection. In a non sequitur of sorts, the original AFP story we drew this information from cited Louis Vuitton as an Italian brand; AFP is course a French wire service. In any case, the service also reports that Gucci is going fully Occidental for its fun-in-the-sun show, heading to London of all places. Gucci, incidentally is an Italian brand, but under French ownership via the Kering Group.
Luxury icon Louis Vuitton is making its mark as a leading light of heritage, craftsmanship and innovation via the “Volez, Voguez, Voyagez – Louis Vuitton” exhibition at the Grand Palais in Paris. While we have previously covered this exhibition and another one in Singapore, it is appropriate to take stock and revisit just what makes Louis Vuitton such a powerful force and indeed, a force for good. Celebrities, influencers and such aside, Louis Vuitton is something to aspire to, a name that makes people feel good about themselves and their success, however those people define success. Coming on the heels of terror attacks in both France and the USA, this exhibition is nothing less than an expression of the triumph of freedom, of joie de vivre as it were. To go even further – because it is important at this moment in time – the exhibition is a reminder that life is not only to be savored but that celebrating life is the right message to send to the world, especially from Paris.
Opening night of “Volez, Voguez, Voyagez – Louis Vuitton” saw plenty of star power, assembled we think not only to push the brand but also to push this positive message. Of course the top brass of LVMH were present – CEO of LVMH Bernard Arnault and CEO of Louis Vuitton Michael Burke – and so was the French Minister for Economy, Industry and Digital Affairs Emmanuel Macron. They were joined by Daniel Buren, Bertrand Lavier, Christian de Portzamparc, Xavier Veilhan, Olafur Eliasson, Jean-Michel Othoniel, Gaultier Capucon, Laurent Grasso, Fabrice Hyber, Laurent Korcia and Kader Attia. In the official press release, Louis Vuitton calls this “a statement to support freedom of creation and the French art-de-vivre.” It is also worth noting that travel expands one’s horizons and reminds us of what a diverse world we live in. This diversity is also worth celebrating in Louis Vuitton’s past, present and future in the spirit of world travel – and potentially travel to other worlds in this or the next century.
Curated by Olivier Saillard, “Volez, Voguez, Voyagez – Louis Vuitton” (literally Fly, Sail, Travel) traces the history of Louis Vuitton from its foundation in 1854 right up to present times, and then projects into the future. There are nine chapters to this tale, conceived and brought to life by Robert Carsen. Of particular note here are elements from private institutions and collections, the most notable of which is Gustave Courbet’s Chene de Flagey, on public display for the first time since 2013. The exhibition is open to the public of course and is ongoing till February 21, 2016.
Tis the season of Louis Vuitton, with dual exhibitions in Paris and Singapore. The history of Louis Vuitton, France’s most famous luxury leather bag maker and one of the leading lights of contemporary fashion, will be showcased at the Grand Palais in Paris from December 4, 2015 to February 21, 2016. The three-month event is designed to allow the general public to discover treasures from this giant’s past.
Concurrently, the Louis Vuitton Series 3 exhibition is already underway at The Shoppes at Marina Bay Sands, Singapore. A deep dive into the world of Louis Vuitton, this show runs till December 23.
Back to “Volez, Voguez, Voyagez – Louis Vuitton” in Paris. Curated by Olivier Saillard, the head of Paris’s Galliera fashion museum, the exhibition not only tells us about the history of this luxury goods house, but also the main people who have had an impact on it, from the founders to Nicolas Ghesquière, the current creative director of the brand’s womenswear collections.
“Louis Vuitton has always been at the avant-garde of creation….For this exhibition, Olivier Saillard has immersed himself in the archives of our Maison to decode its secrets. He delivers a fresh vision of our past, present and future,” says Michael Burke, Louis Vuitton’s CEO.
The exhibition will be spread across several rooms at the Grand Palais, with set design by Robert Carsen. It will open with an iconic symbol of Louis Vuitton, a trunk dating back to 1906, and will be split into nine themes covering the design house’s links with the art world, plus other fields such as cars, yachts, aviation, writing, and beauty.
Similarly, Series 3 looks at the past, present and future of Louis Vuitton across a series of rooms – hence the name. The focus here is the vision of Ghesquière in the Fall/Winter 2015 collection. There is a secret final room here, which can be discovered in the Louis Vuitton Marina Bay Sands flagship store.
Many of the special orders made by Louis Vuitton will also be put on show. The exhibition will end with a room dedicated to the company’s craftsmanship.
“Volez, Voguez, Voyagez – Louis Vuitton” — from December 4, 2015 to February 21, 2016 — at the Salon d’Honneur in the Grand Palais, Paris.
Fashion watches bear their houses’ codes to match technical brilliance with sartorial splendor. Our thanks to the team at Men’s Folio Singapore for putting together this spread to inspire us.
Photography by Joel Low; Styling by Tok Wei Lun
Grooming: Benedict Choo using M.A.C cosmetics
Model: Erlend / Mannequin
Louis Vuitton is collaborating for the first time with the Rugby World Cup to design a case for the Webb Ellis Cup, the sport’s biggest prize.
The case has been hand-made in LV’s workshop outside of Paris, featuring the designer’s iconic Monogram canvas and brass locks. The case opens from the front and at the top in order to easily remove the trophy.
Spectators will get their first look at the case during the Rugby World Cup final at Twickenham on October 31.
Louis Vuitton has also designed the case for the 2014 FIFA World Cup trophy as well as the case for the world’s oldest sports trophy, the America Cup’s silver ewer.
An exhibition coming to Paris’s Grand Palais in December is to trace the Louis Vuitton brand’s history from trunk maker to luxury giant.
WWD reports that “Volez, Voguez, Voyagez – Louis Vuitton” will run from December 4 through February 21.
Olivier Saillard curates an exhibit that will fill 9 rooms in the palace’s Salon d’Honneur, covering the trunks, the evolution of travel, craftsmanship and Vuitton’s modern role in ready-to-wear and luggage for celebrities.
In 2012, the luxury brand was the subject of a an exhibition in Paris at Les Arts Décoratifs called “Louis Vuitton-Marc Jacobs.”
LOUIS VUITTON has announced that it is putting an end to its famous Multicolore monogram collection, designed by Takahashi Murakami.
The monogram design, which made its debut in 2003 at the brand’s spring fashion show, will slowly be phased out in stores.
Louis Vuitton declined to comment specifically on the discontinuation of the collection but said they preferred to “look forward,” according to WWD.
The Multicolore monogram collection is the label’s longest lasting to date, and was made popular by celebrities like Paris Hilton, Anna Kournikova and Jessica Simpson.
The Multicolore monogram collection is just one of many collaborations between Louis Vuitton and the artist.
Louis Vuitton artistic director Nicolas Ghesquière has tapped photographers Bruce Weber and Juergen Teller for the brand’s fall-winter 2015 campaign.
Called ‘Series 3’, the advertisements feature models Rianne van Rompaey, Angel Rutledge, Fernanda Ly, Liya Kebede, Julia Merkelbach and Freja Beha Erichsen as well as actresses Jennifer Connelly and Alicia Vikander.
The ads were shot in Barcelona, Spain by Juergen Teller, while Bruce Weber has used a private airport in Miami, Florida for this shoot.
The brand’s fall 2015 ads are slated to break in a range of August fashion magazines, according to Fashion Gone Rogue.
In the battle for brand influence, Apple edged out Google as the most influential global brand and Louis Vuitton maintained its 10-year reign, keeping the top spot on the luxury chart as brand analyist company Millward Brown released its rankings on Wednesday.
The 10th Annual Brandz Top 100 Most Valuable Global Brands Ranking was released Wednesday by WWP and Millward Brown, and ranked Microsoft in the third position, followed by IBM.
For Louis Vuitton, it’s been 10 years of domination over Hermès, Gucci and Chanel who finished in the second, third and fourth spots, respectively, when it came to luxury houses.
The full list of the world’s most influential brands is available on PDF.