Tag Archives: Chanel

Chanel Métiers d’Art Fashion Show in Hamburg

Chanel Métiers d’Art Fashion Show in Hamburg

Here are several snapshots taken from the Chanel’s Métiers d’Art shows that celebrated the statement pieces designed by some of the fashion world’s most skilled artisans.

Since 2002, Chanel has been recognising talents for their exceptional skills in fashion and crafts. The Chanel’s Métiers d’Art fashion shows were launched particularly to pay tribute to a handful of craft houses, with every show in December.

The prestigious collection featured outstanding pieces from the skilled workers: the feather workers of Lemarié and glove-maker Causse, embroidery specialists Maison Lesage, hat-maker Maison Michel, boot-maker Massaro and manufacturer of buttons, jewellery and accessories Desrues. In addition, all of these were showcased in a location somehow symbolically linked to the history of Gabrielle Chanel.

The Chanel 2007-2008 Métiers d’Art “Paris-London” collection in 2007

The Métiers d’Art shows awarded the Neiman Marcus Award for Distinguished Service in the Field of Fashion in Dallas in 1957

Chanel presented its first Métiers d’Art collection on the French capital’s rue Cambon in December 2002, showcasing the brand’s haute-couture. Two years later, the fashion house decided to take its shows to the world stage and demonstrated the Paris-Tokyo show in the capital of Japan. From there, Chanel’s Métiers d’Art has toured many of the world’s finest capitals, including Bombay, London, Rome and Shanghai.

Over the years, The Métiers d’Art shows were quite well-received and they grew larger in scale. In particular, the Paris-Dallas version, which was staged in 2013 had left a memorable experience for those who were in attendance.

Having made a global tour, indeed, “Chanel’s previous Métiers d’Art shows have been presented in emblematic locations, evoking pivotal moments in the history of the fashion house and its founder.”

In fact, Chanel’s creative director, Karl Lagerfeld chose Paris to stage the 2016-2017 Métiers d’Art collection at the five-star Ritz hotel where Gabrielle Chanel used to live and which now has a suite named after her.

This year’s Métiers d’Art show shines the spotlight on Karl Lagerfeld once again who chose to hold the show at the spectacular Elbphilharmonie concert hall in Hamburg, in Karl’s hometown.

Bedazzled Chanel ‘Code Coco’ Watch stood out at Paris Fashion Week

The bedazzled Chanel ‘Code Coco’ Watch stood out at Paris Fashion Week

The new Chanel ‘Code Coco’ watch is a unique creation by the French luxury fashion and jewellery brand, designed to be more than a watch, which could also be worn as a stylish bracelet. This is another signature creation of Chanel that has put a new iteration on the watch world.

Available in two versions, ‘Code Coco’ watch presents the first (ref. H5144) in steel bezel set with diamond on the black lacquered dial. The steel case is sleek, measuring at 38.1 x 21.5 x 7.8 mm with a classy touch that represents the finesse of Chanel’s luxury watchmaking, fine jewellery and artistic skill.

Each exceptional version of the watch asserts its individual personality enhanced by their elegance. The ‘Code Coco’ watch features a high precision quartz movement, steel bracelet strap, the clasp and quilted motif on the watch’s bracelet, and water resistance up to 30m.

While the second version is an exceptional piece of ‘Code Coco’ watch (ref. H5145), featuring 52 brilliant cut diamonds on the steel bezel set. The diamond code was particularly chosen by The House to adorn the elegant timepieces as diamond was Gabrielle Chanel’s favourite.

Each asserts its individual personality, going beyond style

To draw a parallel to that, no two diamonds are the same and each diamond expresses its own uniqueness in terms of personality and character, comparable to that of each stone’s beauty, proportions and symmetry. These form the exclusiveness of a diamond set that cannot be duplicated.

Of all gemstones, Gabrielle Chanel described the graphic beauty and clarity of the diamond beautifully in her own words: “If I have chosen the diamond, it is because it represents, in its density, the greatest value in the smallest volume.”

Rather than a classic folding clasp, the clasp code named “Mademoiselle”, derived from the 2.55 handbag complement the crisscrosses quilted motif on the steel strap – a signature emblem created by Chanel since 1955, now frequently seen in fashion shows and on handbags, watches and even jewellery. The clasp can be positioned horizontally or vertically, sealing the watch with an exclusive flourish.

Meet the Winners of GPHG 2017

The Oscars of the watch industry has just ended and 17th edition of the Grand Prix d’Horlogerie de Geneve (GPHG) has yielded some expected winners and also some unexpected upsets. Come meet the winners of GPHG 2017.

Meet the Winners of GPHG 2017

Founded in 2001, the main objective of the Foundation of Grand Prix d’Horlogerie de Genève (GPHG) promotes Swiss watchmaking traditions and values worldwide. The annual GPHG honours excellence of horological production and the finest creations each November at the Grand Théâtre de Genève. This year, the GPHG 2017 panel of jurists have chosen these brands as winners for the following awards:

Winner of GPHG 2017 Ladies High Mech Watch Prize: Van Cleef & Arpels

Winner of GPHG 2017 Ladies High Mech Watch Prize: Van Cleef & Arpels  Lady Arpels Papillon Automate

Ever faithful to a poetic view of life, Van Cleef & Arpels introduced a distinctive dimension to the field of watchmaking: that of dreams and emotion. Best known of “poetic complications” or mechanical expressions of stories on the dial, the Van Cleef and Arpels Lady Arpels Papillon Automate expresses these values and themes emblematic to the maison.

Employing both watchmaking and artisanal skills, watchmakers, lapidaries, enamelers, engravers and stone-setters combine theirl savoir-faire to embellish complication watches and exceptional dials like those of the Van Cleef & Arpels Lady Arpels Papillon Automate to depict  a dreamlike perspective on the passage of time.

Why it won: As the hours and minutes flow, the butterfly of the Lady Arpels Papillon Automate beats its wings randomly – one to four times in a row, depending on the power reserve.The maison manages to create a lifelike automaton butterfly thanks to the irregular frequency of its movements, taking place every two to four minutes when the watch is not being worn and more often when it is on the wrist. The butterfly’s liveliness echoes that of its wearer, with alternating periods of calm and activity or it can be activated on demand via button.

Winner of GPHG 2017 Tourbillon and Escapement Watch Prize: Bulgari

Winner of GPHG 2017 Tourbillon and Escapement Watch Prize: Bulgari Octo Finissimo Tourbillon Skeleton

Bulgari has been collecting watchmaking kudos since they astounded the industry with their 2014 Octo Finissimo Tourbillon, breaking records to become the world’s slimmest tourbillon. For 2017, the brand upped the horological ante by skeletonising their record breaking tourbillon and introducing the Bulgari Octo Finissimo Tourbillon Skeleton.

The Octo Finissimo Tourbillon Skeleton is driven by an ultra-thin, openworked tourbillon comprising 253 parts. To ensure perfect efficiency and precision, its barrel spring is equipped with a slipping spring and the tourbillon cage is fitted on a peripherally driven ultra-thin ball-bearing mechanism. This exceptional in-house movement houses a barrel held by three ball bearings, an innovative feature serving to double the height of the barrel spring and thus achieve an 80% increase in power reserve, delivering a 52-hour power reserve, an impressive accomplishment for such a slim tourbillon model.

Why it won: By skeletonising an ultra thin tourbillon and then applying ball bearings to further reduce the thickness of the Octo Finissimo Tourbillon, Bulgari moves to another level by offering devotees of beautiful watchmaking a new interpretation with an entirely skeleton-worked tourbillon. Bulgari also swept up the GPHG 2017 men’s watch prize with their Octo Finissimo automatic

Winner of GPHG 2017 Innovation Prize: Zenith

Winner of GPHG 2017 Innovation Prize: Zenith DEFY Lab

When World of Watches spoke to Jean Claude Biver in July, we learnt that the LVMH watchmaking chief had planned to position Zenith as the “future of tradition”. It was then that we learnt of a brand new Zenith oscillator. When the winner of GPHG 2017 innovation prize was revealed to be the Zenith DEFY Lab, there was really little surprise to the editorial team.

Zenith introduces a completely newly developed movement called the ZO 342 for the DEFY Lab. Instead of using the conventional means of regulating a mechanical watch by means of a balance and hairspring assembly with its more than 30 individual parts and a thickness of about 5 mm, the LVMH Watch Division Research & Development Department innovated the single 0.5 mm high Zenith-Oscillator. The monolithic regulating organ for the DEFY Lab which consists of only two components with considerably optimized functionality. The Zenith-Oscillator is an all-of-a-piece organ without mechanical linkages that replaces 31 ordinarily assembled, adjusted, regulated and controlled parts. The absence of conventional mechanical couplings eliminates contact, friction, wear, slack, lubrication, assemblies and dispersions.

Why it won: The 15 Hz (108,000 vibrations per hour) frequency of the Zenith-Oscillator is three times the historical frequency of the El Primero movement, while showing a 10 percent higher power reserve. In terms of precision of the Zenith DEFY Lab exceeds requirements of the ISO-3159 standard. In fact, never has a serially produced mechanical watch in the history of watchmaking reached such a high level of performance and precision amounting to +/- 0.5 seconds from 0 to 48 hours, trumping the best conventional series production balance assemblies range of +/- 2 seconds over 24 hours. Of course Zenith won the GPHG 2017 innovation prize, duh.

Winner of GPHG 2017 Petite Aiguille prize: Tudor

Winner of GPHG 2017 Petite Aiguille prize: Tudor Heritage Black Bay Chronograph

The vintage inspired Tudor Black Bay Chronograph was winner of the GPHG 2017 Petite Aiguille prize. When Tudor released teasers about a new chronograph unveiling for Baselworld 2017, I had hoped it would be a Monte Carlo Chronograph, instead, their new manufacture Tudor Chronograph derived its core aesthetic elements from the Heritage Black Bay diver’s models. Nevertheless, it’s an attractive vintage looking two register chronograph and a distinct brand icon of modern Tudor rather than being another heritage re-issue.

Why it won: Boasting a 70-hour power reserve, a silicon balance spring and certification by the Swiss Official Chronometer Testing Institute, the Manufacture chronograph Calibre MT5813 that drives the Tudor Heritage Black Bay Chronograph model is a high-performance movement which was developed with Breitling (who themselves refer to the chronograph movement as manufacture calibre Breitling 01). The Tudor Black Bay Chronograph’s MT5813 uses the brand’s own high-precision regulating organ and exclusive finishing.

Winner of GPHG 2017 Revival watch: Longines

Winner of GPHG 2017 Revival watch: Longines Avigation BigEye

With a treasure trove of immense heritage (Longines was one of the original BIg Three before Patek), Longines regularly draws on its historical pieces to enhance its Heritage line. The Longines Avigation BigEye is a re-issue chronograph from the 1930es. The brand with the Flying Hourglass motif also has a great tradition of pilot watches and provenance within the field of aviation, case in point: Charles Lindbergh.

Why it won: The Longines Avigation BigEye is inspired by a chronograph whose aesthetic is typical of the great age of aviation. True to the spirit of pilots’ watches, this model displays a very readable dial with a focus on the minute counter and tactile push buttons operable with aviator gloves. Given the heritage, there’s little wonder the Longines Avigation BigEye takes the revival watch prize.

Winner of GPHG 2017 Aiguille D’or Grand Prix: Chopard

Winner of GPHG 2017 Aiguille D’or Grand Prix: Chopard L.U.C. Full Strike

To take top honours during your 20th birthday is a fitting celebration; the Winner of GPHG 2017 Aiguille D’or Grand Prix: Chopard L.U.C. Full Strike, the Fleurier manufacture’s first ever minute repeater. With more than six years of work, the L.U.C. Full Strike is Chopard’s most sophisticated chiming watch to date, building upon the L.U.C Strike One which chimes each striking hour, launched in 2006.

The L.U.C Full Strike chimes the hours, quarters and minutes on transparent crystal gongs, the result is exceptional clarity. These sapphire rings are an integral part of the watch glass, which creates a perfect loudspeaker faithfully to diffuse the chimes of the hammers striking the sapphire. This is a unique technical solution which is visible at 10 o’clock and results in a tone of matchless purity that is rich and full, powerful and resonant. It makes literal the traditional maxim “crystal-clear” sound.

Why it won: Almost 17,000 hours of development have been lavished on the development of calibre 08.01-L and Chopard has found all-new in-house responses to historical issues relating to the nature of the gongs, as well as to the operation and ergonomics of the striking system as a whole, in the process applying for three pending patents. Furthermore, a series of security systems protect the L.U.C Full Strike from all inappropriate handling operations that can damage minute repeaters. Finally, the rotations of the strike governor – the component that gives the striking mechanism its rhythm – traditionally produces a humming sound but on the calibre L.U.C 08.01-L is entirely inaudible. Editor’s Note: At a point in minute repeater history, a competing brand had indeed discovered a solution to silence the humming component only to have it re-introduced when the watch buying public considered the minute repeater “hum” a mark of quality.

Winner of GPHG 2017 Mechanical Exception Watch Prize: Vacheron Constantin

Winner of GPHG 2017 Mechanical Exception Watch Prize: Vacheron Constantin Les Cabinotiers Celestia Astronomical Grand Complication 3600

Brooking the least argument, the winner of GPHG 2017 Mechanical Exception Watch Prize rightly belongs to the Vacheron Constantin Les Cabinotiers Celestia Astronomical Grand Complication 3600.

The unique twin-dial Celestia Astronomical Grand Complication 3600 combines astronomy and the watchmaking art in a celestial white gold composition. Twenty-three essentially astronomical complications appear on the front and back dials of the watch, providing a reading of time in three modes – civil, solar and sidereal – each driven by its own gear train. Embodying the height of technical sophistication, its fully integrated 514-part calibre with six barrels guarantee three full weeks of autonomy.

Why it won: Featuring an all-new construction, Les Cabinotiers Celestia Astronomical Grand Complication 3600 follows in the eminent wake of a unique creation representing a milestone in the history of mechanical horology and laying a veritable cornerstone for new watchmaking feats by Vacheron Constantin. Five years of development starting from a blank page, a dedicated master-watchmaker, along with two years of design, have given life to the one-of-a-kind Les Cabinotiers Celestia Astronomical Grand Complication 3600, displaying 23 complications on its twin dials. This Haute Horlogerie ‘heavenly phenomenon’ is one of the most complex ever made and heir to a proud lineage of astronomical timepieces. It provides a combined display of civil, solar and sidereal times by means of three separate gear trains.

Winner of GPHG 2017 Special Jury Prize: Chanel Mademoiselle Coromandel with enamel dial made by Anita Porchet and Suzanna Rohr

Winner of GPHG 2017 Special Jury Prize: Chanel Mademoiselle Coromandel with enamel dial made by Anita Porchet and Suzanna Rohr

The work of master artisans — enamellers, engravers, and stone-setters — the Mademoiselle Privé Coromandel exemplifies Chanel watchmaking and their penchant for intricate beauty. Suzanna Rohr and Anita Porchet are virtual strangers to industry outsiders but in high horology circles, they are veritable grand mistresses of enamelling.

A visit to Gabrielle Chanel’s Rue Cambon apartment will reveal her love for exotic orientalism – courtesy of the Coromandel panels dressing her home. That the Chanel Mademoiselle Coromandel with exquisite enamel dial made by Anita Porchet and Suzanna Rohr takes this special prize is fitting from both an artisan and brand heritage perspective.

GPHG 2017 Unexpected Upset 1: Fabergé Visionnaire Chronograph

The Visionnaire Chronograph, powered by the automatic calibre 6361, is a revolutionary new movement that imparts unprecedented clarity, precision and efficiency to the highly popular chronograph complication. The new chronograph movement developed by Agenhor, the Geneva-based movement specialist, is the brainchild of Jean-Marc Wiederrecht. This significant gain in legibility is thanks to the unique construction of the calibre 6361, comprising a central chronograph module set within an annular base movement.

The advantages imparted by the unique construction of the calibre 6361 go far beyond chronograph legibility. Chronographs are inextricably associated with the concept of precision, and the new instant-start indications of the calibre 6361 provide a significant advantage over the ambiguity of traditional chronographs and their semi-instantaneous twitches. This feat is achieved by a system of snail cams, fixed to the chronograph wheels along the central camshaft of the calibre 6361. Upon completion of a full minute or a full hour, a snail cam trips a pawl that instantly clicks the chronograph indication forwards by a single step. Further precision is provided by the patented AgenClutch, a completely novel, lateral-friction clutch that robustly combines the smooth engagement of the modern vertical clutch with the flatness of the traditional system.

GPHG 2017 Unexpected Upset 2: Montblanc 1815 Chronograph Tachymeter Limited Edition

The 1858 Chronograph Tachymeter Limited Edition 100 showcases a vintage style: sunray  finished champagne dial matching the bronze case.

At the heart of the timepiece lies a traditional manual monopusher chronograph movement, the calibre MB M16.29, with a column wheel mechanism, horizontal coupling, chronograph bridge in a “V” shape, a large screwed balance wheel vibrating at a frequency of 18,000 semi oscillations per hour and a power reserve of 50 hours.

This in-house chronograph has been entirely handcrafted at the Montblanc Manufacture in Villeret and is characterized by an exceptional finishing. Designed in a large “pocket watch” style, the calibre MB M16.29 has been inspired by the original calibre 17.29 designed for pocket watches and wristwatches in the 1930s. This new version uses almost the same shape of components as the calibre 17.29 , but features different finishings, such as inside angles, Côtes de Genève stripes and circular graining.

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Luna Bijl fronts Chanel Eyewear Fall 2017 campaign shot by Karl Lagerfeld

It’s a dream held by many a self-confessed fashion devotee: walking down an elaborately decorated runway, swathed in the finest couture from Paris. For Luna Bijl, however, it’s a reality that she got to experience not once, but thrice — at Chanel, no less.

Besides a Vogue cover, Bijl’s portfolio boasts appearances on the runway shows of the iconic Maison’s Haute Couture Fall 2017, Resort 2018 and ready-to-wear Fall 2017 collections. The 20-year-old’s charms doesn’t seem to be wearing off anytime soon, least of all on Chanel’s creative director, Karl Lagerfeld.

This season, Lagerfeld has made the rising Dutch model the new face of Chanel’s Fall / Winter 2017 Eyewear campaign. Shot by the designer himself, the campaign features a series of monochromatic shots in which Bijl sports the French label’s latest eyewear collection against a metallic, industrial-style backdrop.

The collection itself includes a good mix of optical frames and sunglasses that play on contrasts (retro and futuristic; conservative and rock ’n’ roll) while staying true to the Chanel code with a touch of modern elegance. Some of the standout pieces presented in the campaign are the double-bridge aviator frame — remarkable for the black nylon thread wound round the arms — and a pair of butterfly optical frames with mirror clip-on shades.

After a slew of campaigns fronted by girls born into celebrity (such as Willow Smith, Lily-Rose Depp and, more recently, Kate Moss’s younger sibling Lottie Moss), Chanel’s latest eyewear campaign with Luna Bijl feels like a breath of fresh air. It’s also a reminder that with the right casting decision and a talented model, a couture house can deliver stunning images that sells effortlessly.

Designer beauty collaborations in Fall 2017 from Bella Hadid to Emilia Clarke 

Heralding someone as the “the number one most powerful person in fashion” is quite a bold statement to make, and even more so when the label is given to a makeup artist. The one in question is Pat McGrath, who also made history last June by becoming the first of her trade to be honoured by the CFDA. When a ceremony that is often called the “Oscars of fashion” makes it a point to recognize a key player of the beauty industry, our attention should inevitably be turned towards it.

If the above is any indication, the beauty industry, which has long been seen as the little sister to its more seasoned fashion counterpart, has officially come into its own. In fact, the beauty industry — all USD 423 billion of it — is doing better than it should in an age when the world is headed towards something of an economic apocalypse. While luxury fashion brands puzzle over strategies to recreate the “miracle work” of Gucci’s Alessandro Michele and Balenciaga’s Demna Gvasalia, many are cleverly focusing on their beauty lines as a lifeline.

Reflecting the power shift between the fashion and beauty industries, the rules of the beauty game have been changing too. A major catalyst for this is social media platforms and the ubiquitous Instagram in particular. The photo-sharing app has opened up a whole new world for beauty products to be consumed: one that is easily accessible (the app is available for free across mobile platforms and has a web version), engaging (refer to the “#makeup”, “#mua” and “#onfleek” hashtags) and boundless (as of last April, the app has 700 million monthly active users).

For beauty brands, choosing a new ambassador is a decision that bears as much significance as a fashion house appointing a new creative director. Traditionally, the privilege wasn’t granted to just anybody. Models, for one, would need years of experience and campaigns under their belts. In the case of 90s supermodel Christy Turlington, it took almost a decade after her model debut before she was offered a contract to be the new face of Maybelline in 1992.

Similarly, actresses like Nicole Kidman and Charlize Theron had to prove their worth through Oscar wins and critical acclaim before even being considered. When Kidman starred in Chanel’s No. 5 the Film in 2004, the Australian actress had already bagged several Golden Globes awards, a BAFTA Award and an Academy Award for Best Actress.

In an age of increasing connectivity, however, beauty brands are now being drawn to a new crop of fresh faces: influencers whose social media reach is much stronger and substantive than their portfolio. Instagram, of course, is increasingly becoming a key part of this equation.

To make their move count, some beauty brands are turning to the number of followers one may boast. Enter Bella Hadid, one of the most sought-after models of the moment. Electing the American model as the face of its Goldea The Roman Night fragrance was a no-brainer for Bulgari, especially with her 14.4 million Instagram followers considered. What really set her apart from other models — say, her sister Gigi Hadid who is the 39th most followed user on Instagram with 35 million followers — was the younger demographic of her followers, which the Italian luxury label hopes to attract. With the younger Hadid sister on board, Bulgari can expect its new fragrance to make 30 million euros in its first year.

For YSL Beauté, naming singer and actor Zoë Kravitz as its global makeup ambassador was a move that highlighted the brand’s understanding of Instagram’s power. The 28-year-old may only have 3 million followers, but her appeal really lies in her engaging content. Capturing everything from high-profile red carpet events to intimate moments with friends and family, Kravtiz’s Instagram account makes her seem more relatable. With her first YSL Beauté campaign, “Tatouage Couture”, set to launch in September, Kravitz will definitely be keeping her fans posted through behind-the-scenes shots and the like, thereby bridging the gap between them and the luxury beauty label.

Like models and influencers, actresses are also being chosen by their popularity. This is the case for Emilia Clarke, who was recently appointed as the face of Dolce & Gabbana’s The One fragrance. The timing is no coincidence: HBO’s wildly popular TV series Game of Thrones is currently airing its 7th season, with Clarke’s character in the centre of it. The star’s campaign for the fragrance will only be unveiled this September, but fans are definitely keeping as close an eye on it as they are on Daenerys Targaryen and her loveable brood of fire-breathing dragons.

From a less commercial angle, some beauty brand ambassadors are chosen based purely on how well they embody the spirit of the brand. Case in point: Victoria Beckham’s new Estée Lauder makeup collection. “Like our founder, Estée, Victoria has a real understanding of what women want and has applied this to beauty in a very passionate and personal way,” says the brand’s Global Brand President, Stephane de La Faverie. Appointing Beckham to both design and be the face of the collaboration makes it a lot more meaningful and appealing to customers.

Another example of this is Kristen Stewart’s appointment as the face of Chanel’s upcoming women’s perfume, Gabrielle Chanel. The actress will star in the film campaign and print ad for fragrance, but it’s hardly her first stint with the French couture house. Stewart was named a Chanel ambassador back in 2013 and was also made the brand’s face of makeup last February. She has since appeared in campaigns for Chanel’s Eyes 2016 and 2017 campaigns, as well as its Fall 2016 Le Rouge Collection Number 1 ad.

Top beauty looks at the Chanel Métiers d’Art 2017 show in Tokyo, Japan

Eye-popping eye shadow and bold hair accessories had pride of place at the Japanese leg of Chanel‘s widely followed Métiers d’Art Paris Cosmopolite 2016/17 show on Wednesday night. Lily Rose Depp, Vittoria Ceretti, Alisha Nesvat and Tokyo-born actress Nana Komatsu put their best faces forward with refreshed make up looks.

Eyes were the focal point of Chanel’s latest runway event. Models’ eyelids were accentuated with a bold sweep of highly pigmented white eye shadow for an ultra eye-opening effect. Chanel’s palette sourcils was applied to brushed-up brows for extra emphasis.

Recreate blinding lids with Chanel‘s Tissé Smoky n°246 eyeshadow quad and a touch of ombre premiere in sable n°28 and noir satin n°26.

Matte lips were de rigueur with nude shades as firm favorites thanks to a touch of Rouge Allure ink in ‘Amoureux’ and ‘Séduisant’ and Rouge Coco balm. New Chanel muse Nana Komatsu stole the show with a statement raspberry lip.

Chanel’s runway makeup staples included a host of must-haves from the ‘Les Beiges’ range such as the belle mine naturelle powder and perfection corrector. For the replica show in Japan, hair genius Sam McKnight kept the hair focus soft and romantic. The models’ decidedly ‘just-woke-up-like-this’ hairstyles were jazzed up with veils, large Chanel silk and tulle flowers, little crowns of roses in black, navy, white and coral.

Sistine Stallone wore delicate posy-like hair accessories in Chanel classic shades of black and white to match the monochrome tweed twill of her quilted knit jacket. In November of last year, Chanel and Fendi‘s in-house hair genius published his first book—”Hair by Sam McKnight.” An inspiring read for any hair enthusiast, the book provides a back catalogue of Karl Lagerfeld approved ponytails and extravagant hairstyles that McKnight has conjured up for Chanel’s major runway events.

Chanel ambassador Caroline de Maigret was also among the guests attending the replica Paris Cosmopolite show in Tokyo. Until June 15, visitors heading to Chanel’s Ginza boutique can get a sneak peak at the model, music producer and writer’s wardrobe essentials with a special in-store installation and photo booth animation.

New perfumes for her: Kristen Stewart named face of Chanel’s ‘Gabrielle Chanel’ fragrance

No stranger to the luxury brand, actress Kristen Stewart is set to star as the face of the new “Gabrielle Chanel” campaign. On May 10, the French luxury label revealed the American actress, as the face of its new fragrance, ‘Gabrielle Chanel,’ named after the legendary French designer who founded the Paris-based fashion house. The fragrance is the brand’s first standalone fragrance in 15 years.

Kristen Stewart, who is already a Chanel brand ambassador, has taken on a prestigious new role for the French fashion house, as the face of the label’s latest fragrance, created in honor of Gabrielle “Coco” Chanel. Having starred in Chanel’s recent ‘Gabrielle’ Bag campaign, the Métiers d’Art collections from Paris to Dallas and Paris to Rome in 2016, Stewart is a veteran of the brand.

The muse will star in an advertising campaign featuring a video shot by young British filmmaker, Ringan Ledwidge, and a photo campaign shot by Karim Sadli. However, fashion fans will have to wait until the fall to catch a glimpse of the campaign film.

‘Gabrielle Chanel’ is a new female fragrance created by Olivier Polge in partnership with the Chanel fragrance creation and development lab. The brand has not yet revealed any of the ingredients selected to create the scent.

A brand ambassador for the French fashion house since 2013, Kristen Stewart recently fronted the campaign for Chanel’s new bag series. The actress has starred in movies such as ‘Personal Shopper,’ the ‘Twilight’ series and ‘Café Society’.

For more information, do visit Chanel.

Luxury spending trends 2017: Japan second largest luxury market in the world

Tight-fisted shoppers, unsteady economic growth and a shrinking population: Japan doesn’t exactly fit the image of a spending powerhouse these days. But you would never know it in Ginza — Tokyo’s answer to the Champs-Elysees or Fifth Avenue — where a new 13-storey upscale mall is proving that Japan is still a whale in the luxury business.

The country logs some $22.7 billion in annual spending on top-end goods made by brands including Chanel, Dior, and Prada, ranking it as the world’s number two luxury market behind the United States. “Luxury products may be more expensive, but they are very well-made,” said 79-year-old Toshiko Obu, carrying her longtime Fendi bag outside the Ginza Six building, which has been drawing big crowds since last week’s opening.

Japan is renowned among the world’s priciest retailers for its discriminating clientele—Chanel tries to keep local customers physically separated from tourists packing more cash than class. “You shouldn’t forget that a big portion of the luxury clientele is here in Japan,” Sidney Toledano, chairman and CEO of Christian Dior Couture, told AFP at the opening of the 241-store building. “It remains a strategic market for luxury and, I’d say, true luxury.”

‘Biting their fingernails’

Dior is counting on Japan’s luxury market to rise this year, while rival Chanel is also expecting an upbeat 2017 after global sales of personal luxury goods barely grew last year. “We did not lose our character,” said Richard Collasse, head of Chanel in Japan. “There are brands that are suffering—the ones that at some stage stopped investing in Japan because China was the new El Dorado. And today they are biting their fingernails.”

Few brands predicted that deep-pocketed Chinese shoppers visiting Japan would support its luxury market—tourists account for about one-third of top-end spending.

Japan is hoping to land 40 million visitors in 2020, the year that Tokyo hosts the Olympics. Last year, some six million Chinese visited, compared with 2.4 million in 2014. “Historically, (Japan has) been a very insular luxury market where 90 to 95 percent of the spending was by locals,” said Joëlle de Montgolfier, Paris-based director of consumer and luxury product research at consultancy Bain & Company. But now some 30 percent of sales are generated by foreign visitors owing to tourism, she added.

A stronger yen dented visitors’ purchasing power last year, with luxury sales down one percent, after a nine percent rise in 2015. Dior’s Toledano said it is an opportunity to refocus on Japanese clientele. “We don’t ignore tourists, of course, but we’re not a duty-free shop,” he added.

‘Touching everything’

Some other Chanel shops in Tokyo have a separate cosmetics and perfume section reserved for top Japanese customers, in a bid to keep them away from the nouveau riche crowd. It also tips off local clientele about the expected arrival time of tourist buses so they can avoid them.”The loyal Japanese clients tend to run away from customers who were not very well raised and are wearing whatever or lying all over the sofa, touching everything,” said Chanel’s Collasse.

Dior’s haute couture show at the new mall’s opening featured Japanese-inspired dresses, underscoring a focus on the local market. But warning signs lurk behind smiling clerks and glitzy interiors at the new property on one of the world’s priciest shopping streets. Japan has struggled to reverse a decades-long economic slump while a falling population continues to shrink its labour force—and the pool of future luxury consumers.

Younger people, many on tenuous work contracts, don’t have the money or the same interest in luxury brands anymore, especially since top-end goods can now be rented online instead, said Naoko Kuga, a consumer lifestyle analyst at Tokyo’s NLI Research Institute. “When you look at consumer purchasing behaviour, younger people put less value on luxury brand products” than previous generations, she said.

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Pharrell Williams stars in the Chanel’s fourth “Gabrielle” bag campaign

After Kristen Stewart, Cara Delevingne and Caroline de Maigret, the American singer and producer Pharrell Williams is the latest star to front Chanel’s “Gabrielle” bag campaign. Last year, he walked the runway for the brand’s Métiers d’Art show in Paris. Now, he is the first man to appear in one of the French luxury brand’s handbag ads.

The video features the “Happy” singer entering an empty concert venue, where he is soon overcome with childlike playfulness. He can be seen riding on a wheeled equipment case and balancing on a metal beam, for example, all with the “Gabrielle” bag worn cross-body and with several strings of pearls around his neck. Shot by French Filmmaker Antoine Carlier,

For this major campaign, entirely dedicated to Chanel’s new “Gabrielle” bag, the French luxury label has signed up four international ambassadors. Kristen Stewart, Cara Delevingne and Caroline de Maigret have all starred as muses for the “Gabrielle” bag in specific campaigns, each set in their own universe.

For more information, do visit Chanel.

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Chanel “Gabrielle” bag collection: Caroline de Maigret wanders Paris in the third campaign

Following on from Kristen Stewart and Cara Delevingne, the French model and music producer Caroline de Maigret stars in the latest of a series of short films made to promote Chanel’s latest it-bag, the “Gabrielle”.  This short black-and-white film is imbued with French spirit and style.

The French fashion house has unveiled the third short film dedicated to its new “Gabrielle” bag, which is a nod to the first name of the brand’s founder. The film’s atmosphere and setting is very different from that of the previous two.

This new ad campaign stars none other than Chanel ambassador Caroline de Maigret, who is seen exploring an unmistakably Parisian apartment. Her natural style is brought to the fore in this black-and-white short film which is the work of the French director Olivier Assayas.

In the video, which consists of a single unbroken shot, Caroline de Maigret is seen wandering around a typically charming Parisian apartment, then she sees an appointment with “Gabrielle” noted in her diary and discovers the iconic “Gabrielle” bag sitting on a mantelpiece.

This is the third short film in a series about this new unisex bag. The first directed by Daniel Askill starred Kristen Stewart, while the second, directed by Shishi Yamazaki, was fronted by Cara Delevingne. The last as-yet-unreleased video will star Pharrell Williams.

For more information, visit Chanel.

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Chanel releases second film promoting new ‘Gabrielle’ bag, starring Cara Delevingne

The luxury fashion house Chanel released on Monday the second campaign film for its latest handbag launch, the “Gabrielle“, which is named after its founder, Gabrielle “Coco” Chanel.

The animated clip, which stars British model Cara Delevingne, was created by Japanese filmmaker ShiShi Yamazaki using a technique called rotoscoping, which involves tracing over motion picture footage. Chanel’s colourful, Pop art-inspired film portrays Delevingne as a tomboyish skateboarder gliding through a surreal urban landscape, picking the “Gabrielle” bags off tree branches as she passes by.

Cara Delevingne has worked closely with Chanel over the years as well as appearing in a number of advertising campaigns, she has regularly taken a starring role in the brand’s Paris Fashion Week shows.

This latest movie is the second of four which are slated to be released by Chanel each week throughout April. The first, starring actress Kristen Stewart was unveiled last week, while two more, featuring the model and longtime Chanel muse Caroline de Maigret and the musician Pharrell Williams are still to come.

Gold blends in luxury watchmaking: 5 Gold blends in timepieces from Omega, Hublot and Chanel

Sedna gold is used with steel, here in the Seamaster Planet Ocean 45.5mm Chronograph

Sedna gold is used with steel, here in the Seamaster Planet Ocean 45.5mm Chronograph

There isn’t any status symbol that’s quite as ubiquitous as gold, and its universal appeal is easy to understand. The metal’s rarity is reason for its value, while its physical properties explain its allure gold’s density gives it heft, which implies weight and importance, while its inert nature is often associated with ideals of being constant and unchanging. That final property also means humans won’t be allergic to it, unlike silver, for example.

Still, gold isn’t without its limitations, chief among which is its softness that precludes pure gold from use in both jewellery and timepieces. By mixing gold with other metals to create alloys, however, hardness and other desirable properties can be attained. Yet this isn’t without cost literally. Alloys have lower gold content and thus less value, making them less precious unless the other metals in the mix are even more precious, like platinum. The question, then, is the purity of gold to be used in the context of watchmaking.

The watchmaking industry has settled on 18-karat (where gold accounts for 75 per cent of an alloy’s mass) as the de facto fineness for gold alloys used in timepieces. This standard is a good balance between maintaining the value of the alloy (due to its gold content), and the hardness and colours that can be achieved. Three main shades of gold are used in watches. Yellow gold is the most traditional, and retains the colour of pure gold. White gold contains nickel, palladium, or another white metal, and is usually rhodium plated for a brilliant shine. Rose gold, on the other hand, skews towards red thanks to the inclusion of copper.

Several manufactures have, in the past decade, introduced proprietary blends of gold in order to attain properties that aren’t present in the three typical alloys described above, and/or to differentiate their products. Clearly, there is still much room for development advancements are still being made as recently as 2016, when a titanium-gold alloy with four times the hardness of titanium was developed.

 Rods of Everose gold, which will be shaped into plates, tubes, bars, and wires, then machined into case components

Rods of Everose gold, which will be shaped into plates, tubes, bars, and wires, then machined into case components

Everose Gold

A manufacture that produces timepieces on the scale that Rolex does has the freedom and capability of deviating from the norm, to put it mildly. Rolex does exactly that when it comes to metallurgy. For a start, it uses 904L steel that has higher nickel and chromium content, which makes it more corrosion resistant and capable of attaining a brighter polish, albeit at the cost of greater difficulty in machining. This drawback is hardly cause for concern though, since Rolex produces its own cases anyway, and has acquired the necessary expertise and equipment to work 904L steel. A parallel exists in the development and production of gold alloys. Rolex’s in-house R&D department and gold foundry has allowed it to create its own blend of pink gold: Everose gold.

Oyster Perpetual Yacht-Master 40 with Everose Rolesor case and bracelet

Oyster Perpetual Yacht-Master 40 with Everose Rolesor case and bracelet

According to Rolex, the drawback for regular formulations of pink/rose/red gold is reportedly a certain tendency to fade. To be fair, this is possible, but not necessarily probable a myriad of factors are at play here, from the age of the watch to the conditions it was subjected to. Peruse an auction catalogue featuring old timepieces, however, and it is apparent that some rose gold watches can and do lose their reddish touch to end up looking more like yellow gold. Rolex developed Everose gold to prevent such an eventuality. The alloy is produced in Rolex’s own foundry from pure 24K gold, based on the manufacture’s specific recipe. Everose gold’s exact composition is a closely guarded trade secret, but it is known to contain trace amounts of platinum, ostensibly to lock in its colour.

Rolex introduced Everose gold in 2005, and uses it exclusively in lieu of regular pink gold. In the Oyster Perpetual Sky-Dweller, for instance, this extends from the timepiece’s case to its crown, bezel, and even bracelet. Bimetallic references of Rolex watches that contain pink gold also use Everose gold, in a blend of gold and steel the manufacture dubs Rolesor.

 Magic Gold is produced in-house within Hublot’s laboratory, which has its own foundry for processing pure gold

Magic Gold is produced in-house within Hublot’s laboratory, which has its own foundry for processing pure gold

Magic Gold

There are actually two gold blends that are unique to Hublot. King Gold has a higher-than-normal percentage of copper to make it even redder than conventional red gold and, like Rolex’s Everose Gold, contains platinum that helps it to retain its hue. What’s arguably far more impressive is Magic Gold, which has an astonishing hardness of 1,000 Vickers that Hublot claims makes it the world’s first scratchproof gold alloy.

Calling Magic Gold an “alloy” is a slight misnomer. Although it stands at 18-carat purity like all the other gold alloys discussed here, Magic Gold isn’t actually a mixture of metals (and non-metals) that are melted and blended together in a foundry. Instead, the process of creating Magic Gold begins with boron carbide, a ceramic that is the third hardest substance currently known. Boron carbide powder is first compacted into a desired shape, before being sintered to form a porous solid. Pure molten gold is then forced into these pores under 200 bars of pressure, like saturating a sponge with water, before the combined chunk of material is cooled down. Voila! The resultant mass is Magic Gold: an incredibly hard ceramic matrix that’s literally filled with gold.

Hublot Big Bang Unico Magic Gold

Hublot Big Bang Unico Magic Gold

Magic Gold was only introduced in 2012, and despite being successfully commercialised, remains a very challenging material for Hublot to work with. To machine Magic Gold, CNC machines equipped with ultrasonic cutters and diamond tipped tools had to be specially ordered from Germany. Milling and shaping Magic Gold components remains difficult even with such equipment just 28 bezels in this material requires around three weeks to machine. As such, production of Magic Gold parts remains limited for now, with an estimated 30 to 40 complete cases produced every month. As Hublot continues to refine its industrial processes and production efficiency with this material, however, its output is expected to scale up accordingly.

Globemaster in Sedna gold

Globemaster in Sedna gold

Sedna Gold

Omega has been making waves with its anti-magnetic movements and its involvement in developing the METAS certification, and rightly deserves attention for these efforts. The brand’s work in advancing material engineering, however, also warrants a closer look. It has, for instance, developed a process to inlay LiquidMetal, a zirconium-based amorphous alloy, into ceramic bezels using a combination of high pressure and heat. The result is the seamless melding of two contrasting materials that yield a perfectly smooth surface. Omega has also made inroads into its mastery over gold. Case in point: Ceragold, which was first introduced in 2012. Instead of LiquidMetal, 18-carat gold is combined with ceramic to form Ceragold, using a slightly different process to yield an equally high contrast bezel that is also smooth to the touch. To create Ceragold, the bare ceramic bezel is first engraved with markings, before being completely PVD-coated with a conductive metallic substrate. This interim product is then electroplated with 18-carat gold, before being polished to reveal the original ceramic surface and markings that remain filled in with gold.

Seamaster Planet Ocean 600M Master Chronometer in Sedna gold, with Ceragold bezel

Seamaster Planet Ocean 600M Master Chronometer in Sedna gold, with Ceragold bezel

A year after Ceragold’s release, Omega introduced Sedna gold. Named after the red-coloured minor planet, which is currently the furthest observed object in the solar system, this 18-carat alloy is a proprietary blend of gold, copper, and palladium. Like other rose gold alloys, Sedna gold owes its unique colour to its copper content. Palladium, on the other hand, functions here like platinum in other gold blends it prevents the copper content in the alloy from oxidising, thus maintaining Sedna gold’s colour. This alloy has been used in various collections, including the De Ville Trésor, Constellation, and Seamaster, and appears to have superseded the orange gold blend that Omega previously used.

Lange 1 Time Zone in honey gold

Lange 1 Time Zone in honey gold

Honey Gold

A. Lange & Söhne debuted honey gold in 2010 when it presented the “Homage to F.A. Lange” collection, which consisted of three limited edition timepieces cased in the precious material. The manufacture has been extremely selective with its usage of the alloy; it took a full five years for honey gold to make its return, this time at Watches & Wonders 2015 where the 1815 “200th Anniversary F. A. Lange” was presented as a 200-piece limited edition. Only two other watches were issued in the material subsequently, and in even smaller runs: the Lange 1 and Lange 1 Time Zone in honey gold totalled just 20 and 100 pieces respectively.

Aesthetically, honey gold’s hue falls between its pink and yellow siblings, with a noticeably lower saturation it is paler, yet redder than yellow gold, and has a marked resemblance to honey. The alloy’s colour stems from its higher proportion of copper vis-à-vis regular yellow gold, and the addition of zinc, but it retains 18-carat purity. Honey gold wasn’t actually developed for A. Lange & Söhne with appearance as the primary objective though. Instead, the manufacture was concerned with creating a more scratch-resistant case. With a hardness of 320 Vickers, honey gold has around twice the hardness of regular 18-carat yellow gold, which measures between 150 to 160 Vickers. The result? A hardier watch case that’s less prone to dings and scratches.

1815 “200th Anniversary F. A. Lange”

1815 “200th Anniversary F. A. Lange”

Despite its greater hardness, honey gold isn’t necessarily more difficult to work. Any equipment that is primed to machine steel cases, which are even harder, is more than capable of handling honey gold. When used in movement components, however, the material does present challenges for the finisseurs at A. Lange & Söhne. The “Homage to F.A. Lange” collection’s timepieces, for instance, have movements with balance cocks rendered in honey gold instead of German silver. Hand-engraving them with the manufacture’s signature floral motif is thus more difficult and time consuming, while also requiring a special set of burins with harder blades.

Mademoiselle Privé Coromandel Le Séducteur with its case and dial elements in beige gold

Mademoiselle Privé Coromandel Le Séducteur with its case and dial elements in beige gold

Beige Gold

When it comes to colours, Coco Chanel’s closest association will always be with black. After all, she was the person responsible for adding the little black dress to fashion’s lexicon. Beige was also a staple in her palette though, and like how her love for Coromandel screens continues to inform the designs of some Chanel products today, the couturière’s penchant for beige remains an inspiration for the house she built.

For Chanel, the logical extension to having fabrics and leathers in beige is a gold blend in that very hue. The alloy is a nod to Coco, who professed to “go[ing] back to beige because it’s natural”. Indeed, beige gold does conjure up images of sand, or lightly sun-kissed skin. Unique to the maison, it is an 18-carat blend that falls between yellow and pink gold in colour, while appearing significantly more muted than either. Subtlety is the name of the game here the alloy harmonises with some skin tones instead of popping out in contrast against it, and matches with a wide range of colours and textures regardless of one’s sartorial choices.

Monsieur de Chanel in beige gold

Monsieur de Chanel in beige gold

Instead of introducing beige gold in its more established jewellery line, Chanel chose to feature it in its timepieces first. The material was unveiled at BaselWorld 2014 in the J12-365 collection, where it was placed front and centre in the form of beige gold bezels sitting atop polished ceramic cases. Other women’s collections followed the next year, with line extensions for the Première, Mademoiselle Privé, and Boy.Friend all sporting full beige gold cases.

Of course, the material was never meant to be exclusive to women’s watches. In 2016, beige gold crossed over to Chanel’s jewellery division in Coco Crush rings, and further proved its versatility by appearing in a men’s timepiece: the Monsieur de Chanel.

Cruise 2017 makeup collections: Chanel introduces ‘Les Indispensables de l’Eté’ collection

New shades of "Rouge Coco Shine" and "Rouge Coco Stylo". Image courtesy of Chanel

New shades of “Rouge Coco Shine” and “Rouge Coco Stylo”. Image courtesy of Chanel

The French luxury label has unveiled its first Cruise 2017 makeup collection, created by Lucia Pica, Chanel’s global creative makeup and colour designer. The new collection, called “Les Indispensables de l’Eté”, redefines the notion of glamour, channelling a liberated and natural vision of it, as envisaged by Gabrielle Chanel several decades earlier.

This sunny offering is inspired by the liberty, audacity and carefree, laid-back vibes of the summer season. It is this spirit of summer, this ability to let go, that Lucia Pica set out to capture in the Cruise 2017 collection.

"Les Beiges Healthy Glow Luminous Colour". Image courtesy of Chanel

“Les Beiges Healthy Glow Luminous Colour”. Image courtesy of Chanel

The products in the “Les Indispensables de l’Eté” collection are designed to create a naturally glamorous summer face, with a makeup look that’s not overly complicated. Inspired by summer landscapes and their inherent luminosity, as well as summer sunsets, the collection draws inspiration first and foremost from nature.

“The concept is that there is no concept! It is about sensuality, feeling and the spirit of things,” explains Lucia Pica. “It’s about being yourself, rising above judgements or perceptions of what you should be.”

Anna Ewers wears products from the Chanel Cruise 2017 collection - "Les Indispensables de l'Eté". Image courtesy of Chanel

Anna Ewers wears products from the Chanel Cruise 2017 collection – “Les Indispensables de l’Eté”. Image courtesy of Chanel

These natural vibes are captured in Chanel’s “Les Beiges Healthy Glow Luminous Colour”, which, as the name suggests, gives skin a healthy, radiant and lightly bronzed glow. This facial powder has a lightweight texture for a natural, second-skin effect, with ultra-fine gold particles bringing luminosity and glow. It’s available in five shades (Light, Medium Light, Medium, Medium Deep, Deep), ranging from a pink/beige to an intense bronze.

The collection’s nature-inspired lip colours reflect a spectrum of sunny shades from sunrise to sunset, bringing summery sensuality to this seasonal beauty look. The iconic “Rouge Coco Shine” comes in new shades, with the peachy “Golden Sun” and the nude “Golden Sand”, while “Rouge Coco Stylo” comes in the soft beige of “Panorama” and the coral pink “Esquisse”.

New colours of "Le Vernis Longue Tenue" nail polish. Image courtesy of Chanel

New colours of “Le Vernis Longue Tenue” nail polish. Image courtesy of Chanel

Four shades of “Vernis Longue Tenue” nail polish complete this Chanel Cruise 2017 collection. “Sargasso” is a shimmering grey and “Coquillage,” “Coralium” and “Sea Whip” are softer, pinkish shades.

New lip gloss by Chanel: Lily-Rose Depp is the face of the new Rouge Coco Gloss by the French luxury brand


Energetic and youthful, Chanel introduces the new face of their Rouge Coco Gloss collection: Lily-Rose Depp. The French fashion house’s love affair with Lily-Rose Depp seems set to last, echoing the label’s long-standing ties with her mother, Vanessa Paradis. No stranger to the luxury fashion brand, the young actress and model is already the ambassador of the N°5 L’EAU fragrance and has opened the brand’s recent Spring/Summer 2017 collection. The Franco-American actress shows off her radiant smile in a playful and sensual campaign from Mario Testino.

24 lip-smacking shades

Chanel’s Rouge Coco Gloss is a sensual and mouth-watering collection of lip gloss products, developed in partnership with Lucia Pica, the brand’s global creative makeup and colour director. The luscious glosses have a melting gel texture thanks to a “hydraboost complex” formulation, comprising natural waxes of jojoba, sunflower and mimosa, plus a natural coconut oil derivative.

Rouge Coco Gloss comes in 24 colours with a variety of effects to suit all tastes, styles and moods, from nude to chocolate brown and several shades of pink, red and purple. The range of colours and textures is further expanded thanks to three accompanying top coats: a clear topcoat with added sparkle, a translucent neon orange-yellow and a deep black.

Chanel Rouge Coco Gloss launches in Singapore on 24th February 2017 at Chanel Boutiques.

Luxury watches: 7 mechanical timepieces with digital displays

We popularly refer to the hands of time in many everyday events, typically when we want to talk about going back in time to fix something or making a tiresome meeting end quicker. We process these entirely natural set of metaphorical motions largely without thinking about why time even needs to have hands. In truth, since digital quartz watches spread like wildfire upon the wrists of more humans than ever before in the 1970s, time hasn’t needed hands to make sense. Soon, with the proliferation of those pesky handheld computers called mobile phones (our data suggests you are reading this story on one right now), an entire generation will cease to understand and appreciate anything other than digital time.

Well, mechanical watches too have caught the digital bug — digital display that is, as these seven watches show. Ok, some of them still use hands but mainly in unexpected ways or for aesthetic reasons.

This spread was first featured in World of Watches’ (WOW) Festive issue. The WOW team would like to highlight that this spread was incorrectly credited. The digital artist responsible is Zi Wen.


Exclusive Chanel fragrances: Les Exclusifs de Chanel box set revisits iconic scents

Exquisite precious materials, elegant bottles, timeless fragrances: Les Exclusifs de Chanel was created between 1922 and 2016 by renowned perfumers with close links to the French fashion and beauty house. Ernest Beaux, Jacques Polge, and Olivier Polge have come up with their own interpretation of a place, texture, meeting or symbol loved by Gabrielle Chanel. Together they form a unique collection, taking us on a perfumed journey through Chanel‘s history.

The collection consists of 15 4ml perfume bottles: 14 Eau de Parfum and one Eau de Cologne. An opportunity to (re)discover and appreciate a selection of rare fragrances which include hesperidium, woody, floral and oriental scents.

Bel Respiro, N°22, Misia

Fans of unusual perfumes and collectors will be pleased to discover that this set contains “Bel Respiro,” a floral evocation of spring, “Sycomore,” a woody scent based around vetiver, “Coromandel” with its incense, benzoin, and patchouli notes, the oriental scent “Cuir de Russie,” the aromatic-floral-powdery “Jersey,” and the woody and fruity “N°18”.

The set also includes “31 rue Cambon,” “28 La Pausa,” “N°22,” “1932,” “Gardénia,” “Beige,” “Bois des Iles,” “Eau de Cologne,” and “Misia,” a fragrance created by Olivier Polge.

This “Les Exclusifs de Chanel” set of 15 mini perfumes will go on sale on February 17 for€290, exclusively at Chanel Beauté stores and the brand’s e-shop.

French haute couture dresses: Schiaparelli inducted to fashion’s elite list with Chanel

Tiffany & Co. Masterpieces 2016 Prism pendant necklace in platinum with 
tsavorite garnets and diamonds

13 Birthstones: Benefits of precious gems and where to find them

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Chanel Fine Jewellery Les Éternelles de Chanel Signature Garnet secret watch in white gold with a 39.9-carat cushion-cut red garnet, yellow sapphires, orange sapphires, spessartite garnets, and diamonds.

Chanel Fine Jewellery Les Éternelles de Chanel Signature Garnet secret watch in white gold with a 39.9-carat cushion-cut red garnet, yellow sapphires, orange sapphires, spessartite garnets, and diamonds. It is a unique piece equipped with a quartz movement


Signifying eternal friendship and trust, the name garnet is derived from the Latin word “granatum”, which refers to the red seeds of the pomegranate. Apart from the red varieties, which were among the most ancient of healing talismans, garnet also comes in other colour types, the key ones being the orange-yellow spessartite and the bright green tsavorite.

Bvlgari Magnificent Inspirations Extravaganza necklace

Bvlgari Magnificent Inspirations Extravaganza necklace in pink gold with 12 sassi-cut amethysts totalling 344.25 carats, South Sea cultured pearls, emeralds, 
amethysts, spinels, and diamonds


Historically coveted by European royalty by virtue of its intoxicating purple and rarity then, the ever-popular amethyst was also used by the ancient Greeks and Romans to keep the wearer sober, sharp, and restraint. In fact, its name derives from the Greek word “amethystos”, which means “not drunken”.

Tiffany & Co. Blue Book collection Water Colours three-strand necklace

Tiffany & Co. Blue Book collection Water Colours three-strand necklace in platinum with 
a 52.80-carat cushion-cut aquamarine, tanzanites, green tourmalines, aquamarines, 
and diamonds


Named for the Latin phrase “water of the sea”, the ethereal aquamarine was believed by the ancients to be the treasure of the mermaids, and by sailors as a talisman for protection and safe passage over water. The gem was also used to dispel gossip, and imbue the owner with a sense of
calm and confidence.

Cartier Magicien Illumination bracelet in white gold with one 31.16-carat D-colour, internally flawless emerald-cut diamond

Cartier Magicien Illumination bracelet in white gold with one 31.16-carat D-colour, internally flawless emerald-cut diamond, other diamonds in various cuts, and carved rock crystal.
The main diamond can be worn on a ring or replaced by a pavé diamond motif


Adopted from the Greek work “adamas”, meaning “invincible”, diamond is symbolic of eternal love and strength today. The gem was referenced in Sanskrit texts as early as 400BC, and since antiquity, believed by various cultures to possess powers that range from therapy and healing, energy-boosting, to imparting balance and clarity of thought.

Van Cleef & Arpels Émeraude en Majesté Grand Opus transformable necklace

Van Cleef & Arpels Émeraude en Majesté Grand Opus transformable necklace in white gold with three old-mine Colombian emeralds (two are shown here) totalling 127.88 carats, diamonds, and white cultured pearls


Emerald was a holy gemstone for many early civilisations, including the Egyptians and South Americans, and also revered by ancient royalty spanning the Greeks to Indians. A symbol of renewal and growth, the gem is believed to grant the owner youth, vision, and wisdom. Its name was derived from the Greek word “smaragdus”, for green.

Chaumet La Nature de Chaumet Le Chêne Racines Célestes transformable necklace

Chaumet La Nature de Chaumet Le Chêne Racines Célestes transformable necklace in white gold with an oval-cut pink spinel, cultured freshwater pearls, spinels, pink sapphires, and diamonds. This is the short version of the original long necklace that has a total of seven pink and violet spinels weighing 10.94, 8.40, 6.81, 6.80, 6.53, 5.29, and 1.87 carats


Probably the first gem discovered by mankind to be used for adornment, pearl boasts a long and interesting legacy of mythical importance in countless civilisations, including the Romans and Tudors. Its natural form, colour, and radiance endowed it with a celestial quality, and it has become symbolic of innocence, purity, and virtue in modern history.

Chopard Red Carpet collection High Jewellery Necklace

Chopard Red Carpet collection High Jewellery Necklace with 33 cushion-shaped rubies 
totalling 64.12 carats, diamonds, and rubies of various cuts


Symbolising passion, vitality, and wealth, the blood-red ruby was so fascinating and visceral in appeal to historical nobility, from Kublai Khan to the Indian maharajahs, that their obsession with it was the stuff of legends. Named from the Latin word “ruber” for “red”, the legendary gem is one of the oldest associated with royalty, and remains sought-after to this day.

Chanel Fine Jewellery Les Blés de Chanel Brins de Printemps earrings

Chanel Fine Jewellery Les Blés de Chanel Brins de Printemps earrings in white gold with 
two marquise-cut peridots totalling 10.4 carats, other peridots, green tourmalines, aquamarines, and diamonds


Called chrysolite in early writings, peridot was believed to wield powers against nightmares and the dark forces, and bring the wearer influence and success. Named from the Arabic word “faridat” for “gem”, it is the national gemstone of Egypt as it was first discovered nearly 4,000 years ago on an Egypt-owned island in the Red Sea, where stones were mined for the kings.

Cartier Magicien Incantation necklace

Cartier Magicien Incantation necklace in platinum with one 22.84-carat cushion-cut
Sri Lankan blue sapphire and diamonds. The necklace can be worn inverted along 
its radius and the sapphire may be fitted onto a ring


The sky blue colour of sapphire endowed it with a divine quality, and naturally, it became a royal gem for many cultures tracing back to the Middle Ages. Since then, it has been associated with numerous virtues that range from devotion and loyalty, to wisdom, justice, and prophecy. Its name has roots in Latin, Greek, and Sanskrit, meaning “blue stone”.

Louis Vuitton Blossom High Jewellery ring in white gold with a 2.9-carat indicolite tourmaline set onto a 5.05-carat petal-shaped opal along with diamonds

Louis Vuitton Blossom High Jewellery ring in white gold with a 2.9-carat indicolite tourmaline set onto a 5.05-carat petal-shaped opal along with diamonds


Referring to its play-of-colour property, opal’s name was derived from the Greek word “opallos”, which means “to see a change of colour”. Its stunning visual quality led it to become a talisman for strengthening both one’s eyesight and higher consciousness.

Boucheron 26 Vendôme Passementerie necklace in pink and white gold with one 2.02-carat oval cabochon pink tourmaline, five rubellites totalling 35.53 carats, spessartite garnets, multi-cut pink tourmalines, multi-colour sapphires, diamonds, and a rock crystal

Boucheron 26 Vendôme Passementerie necklace in pink and white gold with one 2.02-carat oval cabochon pink tourmaline, five rubellites totalling 35.53 carats, spessartite garnets, multi-cut pink tourmalines, multi-colour sapphires, diamonds, and a rock crystal


Also a birthstone for October, tourmaline is historically associated with matters of the heart, and stands for humanitarian love and positivity. The gem’s name, born of the old Sinhalese word “turmali” for “mixed colours”, reflects its many attractive colour varieties.

Chanel Fine Jewellery Sous le Signe du Lion Solaire brooch in white gold with with a 123.5-carat carved yellow citrine, a 7.8-carat cushion-cut orange topaz, 
diamonds, and yellow sapphires

Chanel Fine Jewellery Sous le Signe du Lion Solaire brooch in white gold with
with a 123.5-carat carved yellow citrine, a 7.8-carat cushion-cut orange topaz, 
diamonds, and yellow sapphires

Topaz & Citrine

A gemstone with many colour varieties, topaz was prized in antiquity, with the opulent orangey-pink stone hailed as the imperial topaz by the Russian tsars. It is supposed to possess a warm and gentle solar energy, and helps to soothe, stimulate, and recharge the owner. Because the yellow-orange topaz was historically thought to be the same as citrine, the latter has also come to be known as November’s birthstone too. Regarded as the “healing quartz”, it is believed to have a healthful, encouraging influence.

Bulgari Magnificent Inspirations Fiore ingenuo High Jewellery necklace in white gold 
with carved turquoise inserts, one 9.39-carat trillion-cut tanzanite, diamonds, 
moonstones, and blue sapphires

Bulgari Magnificent Inspirations Fiore ingenuo High Jewellery necklace in white gold 
with carved turquoise inserts, one 9.39-carat trillion-cut tanzanite, diamonds, 
moonstones, and blue sapphires


Another gem that pre-dates written history is turquoise, which was revered as an ornamental and ceremonial stone, especially in ancient Persian, Egyptian, and American civilisations. Its name came from the French expression “pierre tourques”, meaning “Turkish stone”, as it was first traded from Persia through Turkey to Europe in the 17th century.

Text by Yanni Tan

This article was first published in WOW.

Chanel Métiers d'Art runway show

Chanel’s Metiers d’Art show 2016 stars Cara Delevingne and Pharrell Williams

For 13 years Salzbourg, Rome, Dallas and Edinburg, have served as the enviable locations to celebrate Chanel’s annual Metiers d’Art show. This year, the label picked Paris, a fashion capital and home to the brand’s founder.

Last Tuesday, the Ritz Paris was transformed into an extravagant theatre from the 1930s, that was the stage of Chanel’s annual show. The French label indeed decided to pay homage to its founder Coco Chanel – in a joyful, festive way. Why that specific venue? “The Ritz is very Paris, but men and women from all over the world come here, so it is a temple of cosmopolitan elegance,” declared Karl Lagerfeld. But there is more to the story.

Coco Chanel herself has lived a large part of her life in one of the majestic hotel’s suites – bringing in an air of scandal, when she was sharing her bet with a German intelligence Officer, during WWII.

Chanel Métiers d'Art runway show

Focusing on a lighter, more insouciant part of Coco Chanel’s life, Karl Lagerfeld revived the 1930s glamour to perfection. As a perfect tribute to Chanel’s style and spirit, Pillbox hats with netted veils, long woolly jumpers and glittery tweed suits reigned on the catwalk — mixing aristocracy and glamour in the finest way. Contrasting with the usual austere runway faces, Chanel’s models were facetious and smiling.

Chanel invited some of its most famous models, including Lily-rose and Cara Delevingne on the runway — Both of whom embraced the glorious Chanel spirit.

Chanel Métiers d'Art runway show

Pharrell Williams at Chanel’s Métiers d’Art runway show

Pharrell Williams also took the catwalk, wearing a navy tweed jacket and strings of pearls. Levi Dylan, grandson of a recent surprise Nobel laureate and up-and-coming model Sofia Richie were also part of the stunning cast. With all the plumes and camellias adorning the heads, The Ritz Paris, looked like a flashback from the 1930s in all its decadent glory. 

Chanel J12 watch Baselworld

Chanel J12 XS: Tough Chick

The first watch designed by Chanel with a masculine touch goes through a complete makeover and is now smaller, girlier and the most desirable it has ever been. This story is from the perspective of our friends at L’Officiel Singapore; we have previously adopted the WOW Singapore review of the same watch.

The year 2003 was no ordinary one for Chanel. It finally made its debut at BaselWorld (the industry’s biggest watch fair where top manufacturers gather annually in Switzerland to show off their latest horological feats), 16 years after the Parisian house unveiled its first timepiece, the Première. But the year was also a dismal one for the people of the world who were fiercely battling the Sars epidemic. “In fact, China realized that it had many more cases than what was officially announced,” Chanel’s International Watch Director Nicolas Beau recalls. “It was two days before the show and a lot of Chinese would be coming in. Everybody panicked. Some even wanted to go home.”

Chanel J12 watch Baselworld

Black high-tech ceramic and 18k white gold with baguette-cut diamonds, black onyw, matte leather and patent calfskin

But when BaselWorld concluded that year, people weren’t talking about Sars as much as Chanel’s J12, which was presented at the fair in a new white high-tech ceramic version (trumping the reception of its black predecessor launched back in 2000). “Suddenly we realized how powerful this creation was,” Beau adds. “The J12 introduced a new color and a new spirit to quite a traditional-looking watch. And because it’s a traditional-looking watch, it would be boring if we made it in steel. Ours in ceramic told people something different.”

The J12, which was Chanel’s first automatic timepiece, is a fascinating work of art. Seven years of research and development contribute to the allure of the watch, most of which lies within its high-tech ceramic case. Made entirely from scratch at the brand’s G&F Chatelain Manufacture in La Chaux-de-Fonds, the material is lighter and hardier than gold and steel, resistant to thermal and chemical shocks, and very comfortable to wear, absorbing and maintaining the skin’s temperature when worn. “We have discovered many new things since we started making ceramics in 2000,” Beau reveals. “We can even incorporate the material into mechanical movements now.”

That isn’t the only novelty. The J12 was also the first timepiece which Chanel designed with a surprising yet compellingly masculine approach. The house’s late artistic director Jacques Helleu had these goals in mind for the watch: it had to look timeless, be indestructible and remind him of “masterpieces in the world of automobiles”. As Beau points out: “We created a strong full-black watch with the original J12 and then followed up with an even stronger J12 in white. Today, both have become very key colors in the watch market.”

In October, Chanel gave the J12 its most exciting update yet (leading to both this and the previously published piece). Named the Chanel J12 XS, the new petite 19mm model is still beguiling with a case in either black or white high-tech ceramic, but it now exudes vibes that are way more girly than macho. There are four permanent boutique styles: the first two have slim patent calfskin straps that are worn over larger matte calfskin cuffs. The third is attached onto a pair of supple lambskin gloves, while the fourth features a patent calfskin cuff in multiple rows that’s quite rock ‘n’ roll.

Chanel J12 watch Baselworld

Black high-tech ceramic and steel with patent calfskin, lambskin and diamonds

The making of the J12 XS also involved France’s most brilliant craftsmen such as glove makers from the House of Causse and couture embroiderers from Maison Lesage (the latter is behind the most artistic dials of Chanel’s Mademoiselle Privé timepiece range). To make the new model even more desirable, there are also six sequinned styles which are hand-embroidered by Maison Lesage to resemble the natural patterns found on exotic python, alligator and shark leather.

For those with more exquisite taste, there are also four unique and extremely wearable high jewelry models. One comes with a large solid cuff (they are unlike the boutique-exclusive Chanel J12 XS watch cuffs, which are supple) while two come with smaller, solid cuffs. All three are decorated with diamond-set white gold trims. Finally, there is a cheeky time-telling ring that is set with 24 baguette-cut diamonds around a white gold flange.

“The J12 introduced a new colour and a new spirit to quite a traditional-looking watch. And because it’s a traditional-looking watch, it would be boring if we made it in steel. Ours in ceramic told people something different.” declared Nicolas Beau, Chanel’s international watch director.

This story was first published in l‘Officiel Singapore