Street art is by its nature transient, with city authorities in a race to paint over work that seemingly pops up spontaneously – these four artists and three cities defy this stereotype. We haven’t included Paris on this list but it is actually the first to open a dedicated permanent space for the voice of the street, so to speak. The AFP Relaxnews used the occasion of that opening to highlight three artists and the cities that have – sometimes – hosted them warmly. We added Blek le Rat to the list because, well, ignoring Blek is just criminal.
In the age of doxxing and wikileaks, the artist (or collective) known as Banksy is an anomaly. He (for want of a better pronoun) is certainly the world’s most famous anonymous street artist, whose subversive and satirical humor has been reaching ever larger audiences since he surfaced in the 1990s.
Hailing from the underground activist culture of the southwestern city of Bristol (also the birthplace of trip hop), his unmistakable stenciled output generally features an anti-establishment bent.
In artistic terms, be it on the street or in the gallery, he is emphatically Big League, rubbing shoulders with Damien Hirst for the “Keep it Spotless” collaboration, which fetched $1.8 million at Sotheby’s in New York in 2008.
As we’ve reported here many times, Banksy’s identity is unknown. The last stab at unmasking the artist produced the idea that he may be Robert “3D” Del Naja of trip hop band Massive Attack.
By Eric Lin from San Francisco, USA – blek le rat sleeping, CC BY-SA 2.0. Wikimedia Commons
Blek le Rat
Born Xavier Prou in Paris, 1951, Blek is the elder statesman of global street art and the clear influence behind none other than Banksy. Blek was himself influenced by the street art of New York in the 1970s and adapted the style for Paris, acknowledging the vast difference between the architectures of the two cities. Blek’s true identity was only exposed in 1991, when he was arrested by police in Paris. Nevertheless, Blek says he prefers to street to the gallery, with his first solo exhibition just 10 years ago, in London.
In keeping with this, Blek is not well represented in museums and galleries but you can see his work at the Quin hotel in New York City, which includes his work in its permanent collection.
While Blek may have inspired Banksy, JR is his French successor and some would say a more original artist than Banksy. He started out on the streets of Paris before making waves in a clutch of venues, from Rio’s favela slums (featured image: 28 Millimetres: Women are Heroes, Action in Kibera Slum – Train Passage 6 – Kenya, 2009, JR) to Shanghai and New York. Certainly, JR is a wildly ambitious artist whom our friends at Art Republik call “a master of manipulating images in context.” As far as contextual art goes, street art is tough to beat.
One of JR’s most emblematic projects involved collecting some 4,000 portraits via his mobile photo booth truck and putting the resulting “participatory” mass collage on display at the newly restored Pantheon temple in the French capital.
Earlier this year he wrapped the glass Louvre Pyramid in photographic prints, creating a trompe l’oeil effect appearing to make the structure blend into the actual palace facade.
A ceramic mosaic of 1970s US cartoon character Hong Kong Phooey created by Invader. © AFP PHOTO / FILES / Philippe Lopez
Monikers are par for the course in street art and this one is particularly good. The contemporary French artist Invader gets his nom de guerre from “Space Invader” because he produces pixelated works reminiscent of early videogame figures.
Invader is a very active artist, who travels far and wide like the others on this list. With some 3,000 “invasions” on his CV to date, Invader has on occasion been taken in for questioning by inquisitive US police. Invader himself calls his artistic excursions “invasions.”
Last year his replica mosaic of 1970s American cartoon character Hong Kong Phooey sold at auction at Sotheby’s in Hong Kong, fetching HK$2 million ($258,000). The popular piece of street art had been destroyed by the Hong Kong authorities, infuriating residents, and was later re-made for sale.
New York City is the obvious cradle of the street art movement, graffiti artists having used subway tunnels and handy walls as canvases since the late 1960s.
The 1990s saw a move towards the mainstream with the Queens district hosting the 5 Pointz mural space on Long Island.
For two decades, some 1,500 artists had the run of 20,000 square meters (215,000 square feet) of space, creating an open-air museum and tourist magnet – until the site owner in 2013 had the area demolished for construction of a condominium complex.
Berlin’s East Side Gallery – a 1.3 kilometre (one mile) surviving section of the Berlin Wall – merits mention with its gallery of 1990 (the year after the fall of the Berlin Wall) paintings by more than 100 artists from across the globe.
With the site receiving an annual three million visitors, renovation was required in 2009.
One of the best-known frescoes depicts the “fraternal kiss” between former Soviet president Leonid Brezhnev and East German leader Erich Honecker, painted by Russian artist Dmitri Vrubel.
London’s edgy-but-trendy eastern district of Shoreditch is a true hive of street art in the British capital, “hosting” a raft of Banksy creations that see visitors beat a steady path to the area.
Somewhat less known is Leake Street Tunnel, an “authorised graffiti area” behind Waterloo railway station which lures an alternative crowd. Most output gets covered over on a regular basis.
Banksy, himself involved in turning “a dark forgotten filth pit” into “an oasis of beautiful art”, has also fallen victim to this artistic licence at what was for a while dubbed “Banksy Tunnel”.